Today we post under Pages (listed at the top of our margin), essay number 13 in Part Two of the series titled The Darkness of This World, by Jillian Becker.
It continues the discussion of French writers whose works are concerned with Evil, praise it, and argue passionately that it should be done.
The title of this essay is The French Pandemonium (Three). Its subjects are the twentieth century writers Michel Foucault and – to a lesser extent – Jean Genet.
Here is part of the essay:
When the Second World War was over in Europe in 1945, and the enormities perpetrated by the Nazis had been fully revealed à tout le monde, Evil did not lose any of its popularity among the anti-bourgeois intelligentsia of France. If those who had survived war and occupation, deprivation and terror, and in some cases confinement, had a sense of being supped full with horrors, it seems to have been short-lived. Their appetite for blood, for torture, and even for mass murder, soon revived.
Most of the novels and plays of Jean Genet – works in which he “explored the potentialities of evil” – were published or performed after the war. He wrote fascinatingly about criminals. His play Haute Surveillance, first performed in 1949, is about a prisoner who, sentenced for committing only small crimes, murders a fellow convict in order to be recognized as someone capable of doing far worse. The bourgeois audiences found it shocking, but not the intellectual elite. In 1952 Jean-Paul Sartre published an essay about him titled Saint Genet. What made Genet a saint in Sartre’s eyes was his criminality. He was a saint because he was a thief. And – even more glamorously romantic – he was a homosexual prostitute in the days when that too could land a man in jail.
All convicted prisoners were victims of the bourgeois and his civilization, in the opinion of Michel Foucault, another of our demons. He declared: “Delinquency, solidified by a penal system centered upon the prison, thus represents a diversion of illegality for the illicit circuits of profit and power of the dominant class.” …
Foucault, the French demon par excellence, was a disciple of Georges Bataille. Their tastes were the same. Foucault endorsed the master’s praise for “erotic transgression”, rhapsodized over “the joy of torture”, and longed to assist his hero in carrying out human sacrifice as a holy act and a thrilling work of art. Together they schemed – but did not institute – a “theatre of cruelty” (as had the clinically mad Antonin Artaud before them), in which actual murder would be performed for an audience. They saw a profound moral value in murder – if the murderer gets a buzz out of it.
Some ideas emerge from Foucault’s writings distinctly enough to be examined. Among them, that the law-abiding bourgeois should be punished with violent oppression; mass reprisals are preferable to individual trials; and cruelty should be a normal way of life. Yet he is praised for being “always ready to protest the fate of the wretched and powerless”.
Even if some of his works can be interpreted as “protesting the fate” of the criminal, the lunatic and the sadist, “always” is going much too far. The mass of his oeuvres proclaims his enthusiasm for rendering anybody and everybody wretched and powerless, preferably maimed, and best of all dead.
He did not except himself. To “redeem existence” from “unbearable banality”, he hankered to be caught up in what he called “limit experiences” of pain, terror, madness, and fatal illness: “the overwhelming, the unspeakable, the creepy, the stupefying, the ecstatic”, embracing “a pure violence, a wordless gesture”. All this he sought for himself, and – though an intensely self-obsessed man – generously desired for others too; and if others did not want it, well, they should be forced to endure it. And even if the victims could not raise their consciousness so as to be overjoyed, the inflictions would not be wasted, because Foucault could wring for himself from their suffering, the last drop of excruciating pleasure.
And this pleasure should not – he fantasized – be only an occasional treat. A demon such as he should not have to perform acts of torture and life-endangerment only for a rare thrill, but such experience should be continually on tap. He believed, like Bataille, that cruelty should be a way of life – the only way of life, a constant part of everybody’s everyday life. “We can and must,” he wrote, “make of man a negative experience, lived in the form of hate and aggression.” …
Foucault sought pleasure in the pain of both body and mind. He mutilated his body and terrified his mind. As nothing was more terrible than death, he desired it most passionately. “Complete, total pleasure,” he declared, “is related to death.” He contemplated suicide, thought of it often through the greater part of his life, and claimed to have “attempted” it many times. He expected and intended that suicide would be the way he’d die. He made “lifelong preparation for it”. It would be “a simple pleasure”, a “suffering pleasure”. It would be a way of “exploring experience in its negativity”.
To take his death into his own hands would not only hasten that crowning moment of “complete, total pleasure”, it might also bring about, at last, the release of his other Self. The “other” Michel Foucault would be emancipated in his own death-throes, to experience “a moment of free existence in suicide”.
He fantasized about participating in a “suicide orgy”, and eventually, in full consistency, that was the way he chose. He went, equipped with instruments – or “toys” – of torture, to orgies of sex, drugs, pain, cruelty, and terror, knowing that they were a way to his death, and intending that that’s what they should be. He endured and wallowed in them in the bathhouses of San Francisco where homosexual men congregated, many of them infected with the HIV virus. And when he knew he had AIDS – incurable at that time – he returned to the bathhouses deliberately to infect as many other men as he could. It was slow suicide and slow murder; according to his philosophy, the transcendent “limit experience”. How much he really enjoyed the prolonged period of slow physical disintegration to which he condemned himself no one of course can know. But he did not try to cut it short by some swifter means to death in order to achieve that moment of exquisite agony in which he expected to feel himself – or his hidden Self – liberated by death. …
Absurdly hyperbolic praise has been heaped upon him. Paul Veyne, professor of History at Vincennes, said of Foucault that he was “the most important event in the thought of this [20th] century”. Yet far from contributing to the advancement of mankind, his example was atavistic: to live by the dictates of the instincts, the appetites, and the emotions – in other words to be savage. …
The immense popularity of Bataille and Foucault, the rapturous reception accorded their demonic works, could only mean that France itself was turning away – continuing to turn away – from reason and civilized values.
On the European battlefields of literature, philosophy, and politics, Romanticism has won an overwhelming victory. The “horrible workers” predicted by Rimbaud, have been elevated by public (bourgeois!) taste into the intellectual giants of contemporary thought. And they have influenced taste everywhere in the pan-European world. Now, in the early twenty-first century, in most of the faculties of the humanities, in most of the academies of the West, the French cult of Evil is virtually an orthodoxy – even in America.
You can find all of it here.
Today we post under Pages (listed at the top of our margin), essay number 12 in Part Two of the series titled The Darkness of This World, by Jillian Becker.
It continues the discussion of French writers whose works are concerned with Evil, praise it, and argue passionately that it should be done.
The title of this essay is The French Pandemonium (Two). Its subjects are the twentieth century writers Georges Bataille, and – to a lesser extent – André Breton.
Here is part of the essay:
Of all the cultivators of Evil in twentieth century France, none was so devout, so persistent, or plunged so deep into moral and material muck as Georges Bataille. He hungered and lusted for Evil. He was a coprophiliac, and a necrophiliac – committing, by his own confession or boast, an incestuous sexual act, in a state of “arousal to the limit”, upon his mother’s corpse in the moments after her death.
Bataille wrote that human beings, as a species, should move towards “an ever more shameless awareness of the erotic bond that links them to death, to cadavers, and to horrible physical pain.”
He was fascinated by the filthy, the stinking; by secretions, excretions, exudations; by things discarded, damaged, abandoned. “Bataille,” wrote one of his appreciators, “displayed a quasi-religious veneration toward objects and acts that, according to the mores of bourgeois convention, were targets of opprobrium … During the ‘30s, Bataille’s ‘literary’ activities centered on developing a theory of ‘base matter’, items and effluvia that remained impervious to assimilation by the all-consuming maw of bourgeois cultural respectability: feces, menstrual blood, cadavers, the baboon’s brightly colored anus, and so forth.”
But Bataille’s veneration of the disgusting was not just “quasi-religious” – it was intensely religious. It was Gnostic . This the admiring writer goes on to demonstrate, though without referring to the Gnostic precedent. He writes: “Herein lie the affinities between Bataille’s world view and the discourse of ‘negative theology’ or redemption through sin. … The duality between the ‘sacred’ and the ‘profane’ obsessed him, but the habitual signs were reversed. He elevated acts of profanation or desecration to epiphanies: singular mystical moments of Oneness with the All. … For Bataille … the act of willfully violating taboos offered privileged access to the holy.”
Raised in a non-believing family, young Georges converted to Catholicism when he was seventeen, and even spent a year in a seminary studying to be a priest. When he became a priest of blasphemy, or holy sinner, he retained all the self-flagellating passion, all the pious devotion and aura of sanctity of the Catholic ecclesiastic. He remained throughout his adult life shut mentally in the box of religion with its atmosphere of incense and sulfur, its fixation on blood, pain, death and sin.
He contended that what was missing in ordinary modern life, what society lacked for full satisfaction, was the “expression of savage needs” that “subsist only at the limits of horror”. And what were the “limits of horror” in Bataille’s dream? Nothing less than ritual human sacrifice. The combination of agony, death, and religious rite was very much to his taste. He wrote: “Human sacrifice is loftier than any other – not in the sense that it is crueler than any other, but because it is close to the only sacrifice without trickery, which can only be the ecstatic loss of oneself.”
His best of all horrors was “ecstatic loss of the self” by choice: voluntary human sacrifice. He wrote: “The movement that pushes a man to give himself (in other words, to destroy himself) completely, so that a bloody death ensues, can only be compared, in its irresistible and hideous nature, to the blinding flashes of lightning that transform the most withering storm into transports of joy.” Oh, the intense joy of dying in excruciating pain! He and others in his circle formed a secret society which was to launch itself with a beheading. Every member was willing to be the sacrificial victim and have his head sawn off – but none would consent to be the executioner.
The external movement that he would have push him to transports of joy was Communism. …
You can find all of it here.
Today we post under Pages (listed at the top of our margin) the next essay in the series by Jillian Becker titled The Darkness of This World (Part Two).
The title of the new essay is The French Pandemonium (One).
It continues a discussion of the Romantic movement which – the series argues – arises from the same need in the human psyche that requires religion. In France, the most influential poets, novelists, essayists and philosophers have been those who have cultivated rebellion against what they call “bourgeois society”. Some of the most eminent of them bluntly declare that their rebellion is a choice of Evil.
Of course not all the French writers of the post-Enlightenment centuries have been Romantics or conscious advocates of Evil. But those who “chose Evil” stoked the fires of destructive rebellion in generations of European intellectuals and have had by far the greater effect on history. In the twentieth century they became so popular and powerful that they helped create the New Left; incited seasons of violent protest demonstrations on city streets throughout Europe and even on other continents; inspired the formation of European terrorist gangs; and implanted their anti-civilization ideology as a new dogma in schools and academies throughout the Western world, including America. As the series continues it will explain how the anti-Americanism of the Left, even in America itself, springs from the European intellectual movement against our civilization.
Here is the first part of the essay:
A pandemonium is a gathering of all the demons or devils. Devils are expected to be noisy, so the word has come to mean a deafening cacophony of shrieking voices.
What the voices of this pandemonium clamor for, is “Evil”. It is not an insult to call them demons; it is an acknowledgment of their choice. They choose Evil, they call for Evil, they acclaim Evil, they are for Evil.
And what are they against? They are against What Is. They are against our civilization. They are against the bourgeois, whom they hold responsible for everything that’s wrong with our civilization: free enterprise industrialization; liberal democracy; parliamentarianism; conservatism.
It was in France that the clamor was loudest among certain poets and novelists and philosophers to épater le bourgeois – shock the bourgeois – in the nineteenth century, reaching a crescendo between the world wars of the twentieth century, rising again after the end of the second. A racket of foaming hate; a literary hue and cry after the middle-class citizen.
As you may have noticed, the bourgeoisie is, in fact, the all-achieving class. Almost everything of value since the Enlightenment, including the Enlightenment itself, has issued from the middle-class; every invention, every discovery, every advance, with so few exceptions they can be counted on a few of your fingers. But to the demons of poetry and philosophy and revolution, the bourgeois was everything that was wrong with Life: the bourgeois with his politesse, his prudence, his order and cleanliness, his comfortable house, his good-quality clothes, his well-stocked larder, his prosperity, his faithfulness to duty, his thrifty habits … “No, no,” the scornful voices yell, interrupting me. “Its not just that, it’s … it’s … it’s his complacency, his bad taste, his narrow-mindedness, his privilege, his exploitation of underdogs, his obsession with material things – and his stupid sexual inhibition. Those, don’t you see, are the unbearable traits that make him a worthy target of our artistic fury. He does not, cannot feel as we do. Down with him! Grind him into the dust! ”
But it is the againstness itself that characterizes the demons. If every one of those despicable things about the bourgeois were overcome or destroyed (as every one of them was in Communist Russia), and civilization wholly laid to waste, the urge would rage on, its hunger unappeased, hunting its everlasting prey: What Is. To them, as to the Gnostics of old, everything that is here is bad; the good lies beyond.
Whatever words have been used to describe the Paris fashions in scorn – modernism, post-modernism, structuralism, post-structuralism, deconstruction – they are all expressions of rebellion. To be a rebel is to be heroic. Despised and rejected by the bourgeois herd, the rebel is a martyr to his deep passion for art, his higher vision of a better world.
To protest against the bourgeois idea of what is good, the demons advocated doing whatever the bourgeois considered evil. They placed themselves in a French counter-tradition, a line that runs from Rousseau with his belief in the primacy of feeling and sentiment, through Robespierre with his Terror, the Marquis de Sade with his penchant for sexual torture, the nineteenth century poets Charles Baudelaire with his Flowers of Evil and Arthur Rimbaud with his Season in Hell, and on through the intellectual trend-setters – whom we will come to – of twentieth century French literature and their continuing effects. There are still reigning French demons in the twenty-first century. It is a dynasty of the defiant. …
You can find all of it here.
Today we have posted essay number 9, Faust (Two), in the series titled The Darkness of This World. (Find it under Pages in our margin.)
Here is part of it. We hope you won’t neglect the footnotes (not added here). They are laden with information – colored by the authors’ personal judgments and prejudices.
To understand what happened in Europe in the twentieth century, the wars, the barbaric cruelty, the murder of tens of millions in cold blood; to diagnose the sickness that beset every country on the mainland of the continent, Germany most severely; to know why European man is dying a long slow death on his own heath, it is helpful to read the great German writer Thomas Mann.
In his novel Doctor Faustus, first published in 1947, the Faust figure is a German musician named Adrian Leverkühn. On leaving school in the early 20th century, young Adrian enrolls at the University of Halle as a theology student, but soon abandons his studies to devote himself to composing music.
Fearing that he is not gifted enough to fulfill his ambition, he conceives a terrible plan. He deliberately catches syphilis by insisting on having intercourse with a prostitute who has the disease, in the hope and faith that he will catch it and so become insane – because he believes madness is necessary to genius. This is his conscious bargain with evil, the selling of his soul to the Devil, in exchange for power to compose great music. When in due course the disease does reach his brain, he imagines he has a conversation with the Devil by which the contract is confirmed. The Devil will grant him twenty-four years from the day of their dialogue, years of “great time, mad time”, to create the astonishing works he can produce now that his faculty of reason has become deranged. He will know “the heights and the depths” of life, and so be filled with knowledge of the truth – the “truth” of subjective experience.
Thought and reason, the Devil explains, are impediments to the creation of great Art. Leverkühn’s art will be intuitive, “Dionysian”; springing from the instincts, from feeling, from the heart, not from the rational mind. The Devil assures him that all genius is demonic. “There is no ingenium that has nothing to do with hell,” he says. What makes Art great is “enthusiasm unparalysed by thought or reason”. Art is “made genuine by disease”, and “creative, genius-giving disease [is] a thousand times dearer to life than plodding healthiness”. Art, instinctive art – so the Devil instructs the mind he is corrupting – is anti-bourgeois, anti-civilization. It is a religion – a demonic religion. (What used to be religion, the Prince of Darkness says, “is over except for the Devil. The bourgeoisie dispenses with it.” And elsewhere the fictional narrator of the story – a Catholic – observes: ‘Theology, confronted with that spirit of the philosophy of life which is irrationalism, is in danger, by its very nature, of becoming demonology.”)
So art is a disease of the artist, and of civilization. As both it is highly valuable, this dark force many times declares or insinuates, speaking either as himself when he chats with the brain-sick Leverkühn, or through the mouths of certain persons among the composer’s teachers, friends and acquaintances. These persons, more devilish than Adrian Leverkühn himself ever becomes, are weak men, erudite sensitive aesthetes, sickly or deformed, one of them “slightly” consumptive. They consciously “elevate culture as a substitute for religion”. Most of them are admirers of Leverkühn’s works – and also of National Socialism, with which they soon become passionately enamored. What they call “the blood and beauty” of brutal mass murder excites them intensely. A poet among them praises “obedience, violence, blood, and world-plunder”. To listen to them is to understand how Hitler’s Reich was made possible and why it quite easily became a reality. …
Today we have posted essay number 8, Faust (One), in the series titled The Darkness of This World. (Find it under Pages in our margin.)
Here are some extracts from it:
Post-Enlightenment Romanticism was an escape from the reality of “this world”, and a belief that there could be a better world realized in Art, or in a future brought about by political action. …
The Romantic Movement was seeded in France with the revolutionary idealism of Rousseau, and flowered first in England as resistance to the iron reality of the Industrial Revolution, but found its natural home in Germany. There God died, but the Devil lived on.
The death of God was announced by the German philosopher Nietzsche in 1882, but when had it occurred? God was still alive, tussling with the Devil for the souls of men when the first part of Goethe’s play Faust was published in 1808, so the event must have come about, quietly, sometime in the intervening seventy-four years.
The legend of Faust and his pact with the Devil had arisen in Germany soon after the Reformation began there [in 1517], and about two hundred years before the Enlightenment seriously weakened the power of the Churches. …
The legendary Faust is a man who chooses to sell his soul to the Devil in exchange for power, honor, wealth, fame; delight of the senses and satisfaction of the appetites, especially lust; and knowledge (of both the scientific and the intuitive sorts), for the duration of his life on earth, usually twenty-four years from the day of the compact. As his splendid life goes on, he wonders at moments if he could repent and be saved. He is exhorted by well-wishers to turn to God for mercy. But he chooses to renew his fatal pact. When he dies he goes to hell …
There was a real historical Dr Faust, “magician, necromancer, sodomist, astrologer and palm reader”, living in Germany in the early sixteenth century, and it was on his character, skills and escapades that the legend was based.
His birth name was Georgius Sabellicus. In 1505 he was helped by a certain Franz von Sickengen – who interested himself in mysticism and the magic arts – to obtain the post of schoolmaster in the Rhineland-Palatinate town of Kreuznach. Exposed as having forced boys of his classroom to perform “acts of lewdness”, Sabellicus disappeared from the school and the town. Two years later, as “Johannes Faust”, he was granted the degree of Bachelor of Arts in Theology by the University of Heidelberg. He came top of his class of fifteen, so either he was a brainy fellow, or he had already sold his soul to the Devil.
The graduate called himself “the Second Magus”, signaling that he was the successor to Simon Magus, the 1st century Gnostic teacher of St Paul’s day, written about scornfully in the New Testament and condemned by the Catholic Church as “the father of all heresies”. (See our post, The father of all heresies, February 21, 2010.)
He stayed in Heidelberg for some years and acquired a dubious reputation as a man of extraordinary powers.
While most commentary on him both in his lifetime and for a few years after his death (which was probably in or about 1540) portrayed him as no more than a braggart, a fraud, and a petty thief, some took him more seriously. An agreement made between himself and the Devil soon became an essential ingredient of his legend. It was related in tones of thrilled horror that he had referred to Satan as his “Schwäger”, his brother-in-law. A demon spirit who takes the form of Helen of Troy occurs in almost all the versions of the story. (She had been Simon Magus’s consort. Though he had found her in a brothel in Tyre, he taught that she had been incarnated in one of her lives as Helen, “the most beautiful woman in the world”, and had descended again from the highest heaven to help him with his mission of redeeming mankind.)
The idea that supernatural powers could be bestowed on a man by the Devil, but had to be paid for with the man’s soul, probably arose from the anathematizing accounts by the Catholic church fathers of the Gnostic cults. Because the Gnostics did not worship the Creator God of the bible but another god whom they “knew” by the gift of intuitive knowledge (the Gnosis); because many of them declared the Creator God to be evil; and because the worship of their god took the form of drugged orgies, perverted sex (anal and oral in order to avoid conception), and the deliberate flouting of biblical commandments, they were considered by Catholics to be devil-worshippers, and their rites Satanic. Their doctrines and practices were deplored in the pulpits of Christendom, embellished with fearful details and scary myths, not only to condemn them and warn the awestruck laity against them, but because the clergy was genuinely full of superstitious terror of the Devil. For centuries Gnostic ritual was considered by Christian theologians to be devil-worship. The Catholic Church succeeded in wiping out Gnosticism in the Middle Ages, using the instrument of the Inquisition. (See our post The heretics of Languedoc, May 1, 2011.)
When the centuries of Church power were brought to an end by the Enlightenment, and Christianity itself took a beating, Faust and the Devil not only survived but flourished.
The Industrial Revolution made it possible as never before for individuals not born to riches and power to acquire them. To those who understood economics it was not an inexplicable phenomenon. But to those who wanted as little to do with the racket and dirt of industry as possible, who were nostalgic for the past, and who continued to believe in the supernatural though the priests had been shouted down by Reason, it was uncanny, magical; and ever-present envy had no trouble diagnosing the cause as demonic. So with the Devil living on in the psyche of Christian Europe long after God had died, Dr. Faust had a new lease of life. …
The Darkness of This World
Our Gnostic Age
The Enlightenment dethroned faith and crowned reason. And reason launched two of the most important advances of our civilization: Science, and the United States of America.
Science was enormously advanced by the philosophers of Reason. Locke, Hume, Spinoza, and Voltaire not only challenged religious certainties and so weakened the suppressive power of the Churches, but with their radical rationalism they positively impelled free enquiry into the laws of nature.
But at the same time, from the very heart of the Enlightenment, came the rot that would corrupt the new culture. Reason, which had struggled against the ignorant arrogance of the Catholic Church, was now, from the moment its golden age began, assailed by a new adversary, a new form of irrationalism that imitated the religious tyrannies it had overcome: Romanticism.
The rot is easy for us to spot because we know what it led to. It was in the writings of Jean Jacques Rousseau. Voltaire saw it at the time, immediately. With typically wry and stinging humor he wrote to Rousseau: “I have received your new book against the human race, and thank you for it. Never was such cleverness used in the design of making us all stupid. One longs, in reading your book, to walk on all fours.”
Rousseau was holding up the pre-civilized, or “natural” man as superior to the civilized. He did not actually use the phrase “noble savage” but it sums up his idea. …
The whole of this essay may be found on our Pages, added to the earlier essays under the same title. Access it by clicking on The Darkness of This World under the Pages heading at the top of our margin, and scroll down to Our Gnostic Age 6.
The Darkness of This World
Our Gnostic Age
Sensitive souls recoiled from the products of reason; from the iron mills of new industries with their grating noise, the vulgar crowds swarming into the cities and decking themselves out in the cheap finery they helped to mass-produce. Sensitive souls hated the cheerful optimism of the growing urban middle class, the healthy economy, and fat Britannia setting her imperial boundaries wider and wider across the world. Their reaction was to look inward; to seek emotional solace, become preoccupied with feeling; and often to find a perverted form of satisfaction in melancholy and illness. Such was the despondent though also rapturous mood, the sad sick spirit of nostalgia and unfocussed longing that spread over Europe like a miasma and came to be called the Romantic Movement. ……
The whole of this essay may be found on our Pages, added to the earlier essays under the same title. Access it by clicking on The Darkness of This World under the Pages heading at the top of our margin, and scroll down to Our Gnostic Age 5.
Continuing our series on contemporary Gnosticism, here is the fourth essay under the title The Darkness of This World. (For the first three put Our Gnostic Age in the search slot.)
The Darkness of This World
Our Gnostic Age
In its defiance of religious and cultural norms, most New Age doctrine and practice (briefly described in the last essay) is comparatively mild. Far more savage messages have come from thousands of pop songs and rap “flows” since the 1960s. Cruelty and religious images are a large if not predominant part of their stock-in-trade. Themes of rape, murder, massacre, torture, Satan, devils, demons, sado-masochism, ultimate doom, universal destruction by nuclear bombs or climate apocalypse, terrorism, suicide, death, are common, hugely popular – and therefore enormously lucrative. Here are words from a rock song called Demons. It was sung by a group named Rigor Mortis – typically connoting something dreaded, in this case death: “We come bursting through your bodies, rape your helpless soul …we force you to kill your brother, eat his blood and brain, shredding flesh and sucking bone till everyone’s insane, we are pestilent and contaminate, the world Demonic legions prevail.”
Such songs could be, and sometimes are, interpreted as instructions to do evil. But then, almost any song could be – and was. Charles Manson, mass murderer and cult-leader of a mass-murdering group, declared himself profoundly stirred by a Beatles song called Helter-Skelter, into whose quite innocuous words about sliding down a fairground slide, he read a coded message about the coming of a final conflict between the black and white races. 
But songs, however gruesome, and even if sometimes inspiring real cruelty and murder, are not the source of the moral rot in twenty-first century Western culture. Nor are the video games that require the killing off of humanoids in such profusion that they’re often blown away as copiously as brown leaves in a gale. Such popular indulgence in Halloween-like fantasy are analogous not to the old Gnostic cults themselves, but to imitations of their rites as pictured and misunderstood by less educated outsiders. The deliberate “sinning” of the Gnostics, with orgies and drugs, was performed for several reasons or excuses: to “use up sin” – ie. commit as much sin as possible in order to hasten the end of the world, on the assumption that there was a fixed amount of sin pre-ordained by the evil Creator, and when all of it had been committed his creation would be done for; or on the grounds that it wasn’t sin at all, only named so by the evil creator, and by defying him they were acting for the good; or on the grounds that true Gnostics – the “Spirituals”, or “Masters”, or “Perfects” – were incapable of sinning and so were free to do anything they liked. Those who were fascinated by the cults but excluded from them – being despised by the Gnostics as “hylics”, “animal men”, creatures irredeemably belonging to the earth – caught rumor of the rites and misunderstood them to be ways of worshiping the Devil.  The performance of “Satanic” rituals such as the Black Mass may very well have begun in imitation of Gnostic rites as imagined by “hylics” who hoped they would summon up the Devil to grant them occult powers. The Devil was supposed to be able and willing to sell such powers to any buyer willing to pay the price of his or her “immortal soul”. Sometimes the drug-intoxicated, orgiastic rites included human sacrifice. To the Christian churches such beliefs and rituals were not only heresy, they were blasphemy; and through the Middle Ages, when such blaspheming heretics were sniffed out by the moralists of almost any Christian denomination, they were punished with torture and fire; burnt at the stake as witches and “black” magicians. It’s certain, however, that they did far less harm, hurt and killed far fewer victims, than did the churches themselves.
No. The power to effect evil on a vast scale lies not with the many but with the few; not with the uneducated but with the educated; not with adolescent entertainers but with intellectual elites. Evil as, or for, a “higher good” becomes a force that deforms civilization only when it issues from the top of the tower. They affect the way teachers teach, students learn, and governments govern. They are professors, philosophers, priests, psychologists, writers, critics, film-makers, rogue scientists, politicians. They are the revolutionaries with a long reach. They could be called the legislative branch of the new orthodoxy. They write the laws of “political correctness”.
The executive branch whose members are responsible for disseminating the toxic ideas, are the powers that appoint the teachers at the universities; publish books and newspapers; choose the plays and the works of art that are to be presented to the public. They are the givers of grants and awards, the producers of films, the social-engineering bureaucrats.
A counter-culture with a mood of sustained rebellion has become dominant in the early twenty-first century in the West not as an imp daring to do mischievous things to provoke an old-fogey establishment, but as a loud, bullying, relentless thug. It rules in the academies and the press; it permits and cheers on the jolly viciousness of popular culture. And it has come to political power throughout the Western world. It is no longer an amusing adversarial movement confined to a demi-monde of the young, the envious and the frustrated; it is now the culture itself. It camps on the public square, wallowing in its own detritus. It stinks. It threatens. It crows triumphantly on its own dung-heap. It gloats over its crimes. It riots in the streets of the cities, smashing the windows of stores, setting fire to banks regardless of whether there are people in them. It burns cars. It shrilly demands much in exchange for nothing. And it legislates, and it taxes, and it makes war on small nations for no better reason than sentiment.
It prevails. And it seems to have come upon the prosperous, brilliant, powerful West quite recently. It has called itself the Red Army of this or that; or Anarchists against Capitalism; or a movement for Hope and Change; or the Occupy Wall Street Movement… It entered the Parliaments of Europe late in the last century, and now it is in the White House of America. But actually it grew slowly through the last three centuries.
It began in Europe, it spread from Europe, and in Europe it became malignant. It began as a reaction to the Enlightenment, that marvelous long morning when the sun of Reason rose to its zenith in the eighteenth century, and the Age of Science gathered pace. Technology, the daughter of Science, gave birth – first in England – to contraptions, contrivances, devices and engines that spun wheels and let off steam and smoke, appalling those blessed or cursed with sensitive souls. Religion blanched. The power of the Churches drained away. Christianity itself declined, but with its fading came a nostalgia for its mystery, for its visions of dim glories, and even for its guilt and its terror.
Jillian Becker October 31, 2013
1. In August 1969, Charles Manson sent Susan Atkins with two other women and Charles “Tex” Watson to a house in Beverly Hills to kill the actress Sharon Tate and anyone else they found there. Atkins states in her autobiography Child of Satan, Child of God, that as they approached the house, “I was deeply aware of Evil. I was Evil.” She and her companions brutally murdered Sharon Tate and four other people with knives and a gun. “Tex” Watson said to one of the victims (according to Atkins), “I’m the devil, and I’m here to do the devil’s business.” Atkins wrote: “I was to learn later that this was the home of the beautiful Miss Tate and [her husband Roman] Polanski, who was out of the country at the time. … Polanksi had produced the controversial Rosemary’s Baby, a film about a woman who bore a child by Satan.” Shortly before meeting Manson, she records, she had refused to participate in a ritual of Satan-worship conducted by Anton LaVey – occultist and musician, founder of the Church of Satan, author of The Satanic Bible, father of a son named Satan LaVey – because she believed in God. When she joined the Manson “family”, she thought that Manson “might be God himself; if not, he was close to him.” Her life with the Manson “family” was full off drugs and orgies which made her feel that she was “one with everyone”. “What Charlie taught us,” she said, “was love”. She bore a child which she insisted was not Manson’s, and named him Ze Zo Ze Cee Zadfrack “for no other reason than that at the torn and twisted time it seemed like a good name”. (So it must be a coincidence, though an intriguing one, that the magic formula for gaining direct access to the highest heaven of the Gnostics, according toThe Book of Ieû is: aaa ooo zezophazazzzaieozaza eee iii zaieozoakoe ooo uuu thoezaozaez eee zzeeezaozakozakeude tuxuaalethukh. – Gnosticism: An Anthology by Robert M. Grant, Collins, London, 1961.)
2. A misinterpretation of Gnostic ritual as devil-worship probably accounts for some of the testimony given at the trial in France, in 1310, of the Knights Templar, a military branch of the Cistercian order specially founded “to protect pilgrims visiting the Holy Land”. King Philip IV, known as Philip the Beautiful, feared their power and coveted their wealth. They were the international bankers of the age, as well as a considerable military force and an efficiently organized intelligence network. They owned vast estates in France. Their reputation as heroes of the Crusades, as warriors and carers of the sick and wounded, made them glorious in the eyes of the common people. Philip was determined to bring them down, to confiscate their lands and treasure, to extirpate them from his own realms and destroy the order wherever his power or influence could reach. The means he chose was to accuse them of heresy. On the night of October 12, 1307, every Templar in France, along with his servants and dependants, was arrested and imprisoned by order of the King. Two and half years later the trial began. Witnesses told of secret meetings behind locked doors, through whose keyholes they had seen and heard abominable rites. Almost all said that the Knights had denied Christ, spat upon the Cross, and declared that it was right only to believe in “the Highest God”. Some reported that they had seen them pay reverence to idols and the devil. Some Knights, being broken by torture and unable to face the terrible punishment that awaited heretics, themselves “confessed” to performing such rituals. Though their legal defense was cleverly devised and persuasively presented, the verdict was a foregone conclusion. The last officers of the order were burnt at the stake on March 19, 1314. Some historians maintain that all the accusations were false and the order was free of any taint of heresy, and no direct evidence has ever been found to prove the case one way or the other. But the more credible testimony of the witnesses strongly suggests that what they glimpsed and heard through keyholes was a Gnostic rite as had been practiced by the Cathars in the Languedoc region of southern France, of whom the last few were then being hunted down and burnt to death by the Inquisition. But beside the possibly true witness accounts, tales were told of devil-worship, including the ritual kissing of the Devil’s behind, which were probably the stock-in-trade of common gossip in those heresy-obsessed ages of Catholic tyranny.
3. One example of sentiment at work in international affairs to brutal result arose out of the United Nation resolution known as “R2P” – The Responsibility to Protect. It requires the strong and wealthy nations of the West to be guardians of vulnerable populations in any foreign state. It was invoked as a reason for French, British and American intervention in Libya in 2011, to overthrow the dictator Muammar Gaddafi. Since then, to the time of this writing, there has been no effective government in Libya. Rival Muslim terrorist groups control their fiefdoms, ruling arbitrarily and ferociously by a mixture of sharia law and vicious whim. The population is a lot worse off than it was under Gaddafi. An earlier example was the interference in the 1990s by the West – chiefly America – in the Balkans. The socialist governments of Western Europe and the Democratic government of the United States believed it was right according to leftist principles to make war only where the interests of their own countries were in no way served by it. The American and NATO soldiers who died saving Kosovar and Bosnian Muslims from alleged Catholic or Orthodox Christian oppression (so positively assisting Muslim terrorist groups in Kosovo), gave their lives not for their country, or freedom, but for the need of their leaders to feel good about themselves. The idea that it is the height of morality to sacrifice oneself (or one’s country’s soldiers) for others, particularly if the others are perceived as underdogs, derives directly and exclusively from Christianity.
The Darkness of This World
Our Gnostic Age
New Age religion is – according to taste and judgment – a rich diversity of “spiritualities”, or a junk-heap of irrationalities.
It arose in the West as an unplanned rejection movement against reason, science, capitalism, Western political institutions and cultural norms, often to the point of antinomianism. It started as a counter-culture, but many of its beliefs and practices have come to be accepted as normal. Most obviously it impacts the lives of almost everyone in developed countries through Environmentalism, one of the most successful of its superstitions.
New Age includes mythical, mystical, and simply fantastical cult ingredients. Its theorists draw on the occult and witchcraft; on religions of the Far East ; on the modern mystic faith of psycho-analysis (in particular the theories of C. G. Jung); on Richard Wagner’s mythology and mysticism ; on UFO legends; on “alternative” Western religious cults and systems – Scientology, Mormonism, Hare Krishna, Shamanism, pop-Kabala, Environmentalism. Among its assorted mysticisms and occultisms are: astrology ; fortune telling by tarot cards, I Ching, Ouija boards; spirit guides; processes of faith healing or imaginary empowerment through the use of crystals and pyramids; chanting, dancing, meditation, Yoga exercises. It was partly inspired by the hundred-plus years old, Orient-derived, Theosophy of Madame Blavatsky, and its offshoots, including the Anthroposophy of Rudolf Steiner with their theories of education, art, agriculture, and health.
As a religion rather than a life-style movement – which it has primarily become – New Age is loosely likened to the Gnostic sects of the 2nd century and the Middle Ages because it is mystical, esoteric, and challenging to the “revealed” religions. There are also specific similarities.
First, like the Gnostics of old, New Age acolytes revile the “God of the bible” (whatever they conceive him to be – Jehovah, “God the Father”, or the Trinity), and they “know” the “true God” by innate knowledge.
Second, as in the Gnostic cults, there is a hierarchy of classes in New Age doctrine. The divisions are according to “spiritual” ability. The highest class is that of the adepts, the Masters, who have attained “cosmic consciousness”. They know they possess the innate knowledge (gnosis) of the real God. Below them are Disciples, whose minds are open to New Age teaching but have yet to master it. At the bottom are the rest, “animal men”, unenlightened by the faith.
Third, those who have the gift – the Masters – can release, or bring to consciousness, or make effective, or bring into being (all of those effects are stated or implied at different times), the “divinity” they “know” is within them by achieving a state of ecstasy. And like the Gnostics of old, they do this by taking drugs and indulging in sexual libertinism. Each New Age participant’s “divine blood” asserts itself as the right guide to human thought and action. In a New Age orgy, “group-consciousness” reveals itself and exerts its will.
Fourth, in New Age as in old Gnosticism, believers rebel against ethical norms by reversing conventional values: what is generally accepted as good is held to be bad, and vice versa.
But in one important respect there is a difference between old Gnosticism and New Age. To almost all the old Gnostics, this earth and everything on it (except their inner spark of Knowledge) was evil, the creation of an evil God, so they were defying evil by doing what the ignorant masses called sinning; defiling their bodies to express scorn for the dirt they were made of . But New Age holds the earth sacred, and sensual experience is a sacrament in itself, often the supreme sacrament.
The old Gnostics, to defy the Creator God, would destroy his earth to save man – or at least themselves. The new Gnostics claim to be God, at least potentially, and would destroy man – or at least a lot of other people – to save the earth .
Being a hotch-potch of beliefs – belief in almost anything that reason rejects – New Age religion inevitably contains contradictions. For instance, while some of its authoritative theorists hold that the divine dwells within the human species (even in the “animal men”, the general theory implies) , the earth is an external and separate goddess, “Mother Earth”, identical to her whom the ancient Greeks called Gaia. She has suffered “ecological wounds” through human industrial activity (thus the specie-sin of “anthropogenic global warming”), and she needs to be “healed”.
These different attitudes to nature between the ancient and the new cults entail different attitudes to sex. To the ancient Gnostics, everything material, including the human body, was evil, so they indulged in sacramental orgies of conventionally forbidden sex in order to defy the Creator God of this world and his commandments. But New Age orgies – similarly considered to be sacraments – are performed as acts of Earth worship. They celebrate the physical, not scorn it.  Sensual pleasure is a good in itself. The performance of communal rituals – chanting, dancing, sado-masochistic sex, all-gender-inclusive sex (with male homosexuality particularly stressed by Matthew Fox ) – advances the coming into being of a new synthesized God: “I” become God; “we” become God; Man, God, and Nature become One, and the one is the universal God, the “Cosmic Christ”.
New Age writing is full of vapid declarations expressed with stirring passion rather than semantic sense. It is verbal impressionism. Matthew Fox, for instance – one of the most widely read New Age writers, blends “the Cosmic Christ” with “Mother Earth”. The Cosmic Christ is an eternal Being who became incarnate in Jesus – so far in tune with at least some long-established Christianities – but is also (if not exactly “incarnate” by the actual meaning of the word, “made flesh”), one with Mother Earth. She is crucified like Jesus; and as such she is a symbol of the incarnated Cosmic Christ, or of the Cosmic Christ as Jesus crucified; or Jesus crucified is a symbol of Mother Earth crucified:
The appropriate symbol of the Cosmic Christ who became incarnate in Jesus is that of Jesus as Mother Earth crucified yet rising daily … like Jesus, she rises from her tomb every day [so not quite like Jesus] … wounded, yet rising, Mother Earth blesses us each day. 
New Age has had an effect on conventional religious institutions. Some of the established churches, Catholic and Protestant, have picked out bits from New Age to add flavor to their own offerings  – which may indicate how weary, stale, flat and washed out they must feel their own faiths to be. As for social and political effects, New Age cults contribute cumulatively to the character of the times, but most of them have had little or no effect on major events.
There are two exceptions. One is Liberation Theology (an emulsion of two opiates of the people, Marxism and Catholicism), which has had an historical effect in South America as an ideological cause of the rise of terrorist organizations.
Marxism comes into our purview. New Age harmonizes with Marxism easily, both being collectivist ideologies. In almost all its manifestations, New Age requires group practice. Its ultimate vision is of a single shared human consciousness (rather like the imaginary alien species called the Borg in Star Trek, whose every individual is one with the “hive mind”). The Catholic writer Teilhard de Chardin had a strong influence on New Age theory. In his book The Future of Man, he foresees “the end of a ‘thinking species’; not disintegration and death, but a new breakthrough and a rebirth, this time outside Time and Space. Man would at some future time ‘form a single consciousness’.”  ). New Age goes further yet: humanity will share its communal consciousness with the Earth. 
Marxism and magic (and pacifism and feminism), came together in the Campaign for Nuclear Disarmament (CND), starting in Britain in 1958 and continuing through the next three decades. Most of the CND protestors did not know that their leaders received funding from the USSR; they were simply the “useful idiots” of Lenin’s famous phrase. In the early 1980s a Women’s Peace Camp was set up on Greenham Common in Berkshire to protest against NATO cruise missiles being deployed at the RAF base situated there. The women would hold up mirrors to “reflect the evil” of the weapons back over the fence.
The other exception is Environmentalism, which has entranced half the population of the First World and pesters the whole human race.
Other than these, New Age cults, though numerous, are for the most part comparatively harmless and few will be mentioned in these essays. Most New Age leaders and followers don’t think of themselves as doing evil, only redefining what good is. Homosexuality was bad until the 1960s; so to New Age devotees it was super-good. Alternative medical practices were bad; so to New Age devotees they were super-good. One of the most egregious examples of New Age success, of how it has penetrated even some institutions that by their nature should be impregnable to cults of unreason, is that practitioners of “alternative medicine” are working alongside physicians and surgeons in Western hospitals. They may do harm, but they probably do not intend to.
What these essays are concerned with is the deliberate choosing of evil. They are not about common crime, nor the immoral things everybody does from time to time. They are about evil intended as such, and the intended evil is the willful harming of human beings. The doing of it is advocated by a self-elected elite – intellectuals who claim to have a vision beyond the understanding of the rest of us – with verbal violence to scandalize the conventional. They often rationalize it with sophisticated philosophical excuses, arguing for instance that it is necessary for the attainment of a “higher good” for the whole human race, including the uncomprehending masses. The “higher good” is different now, the excuses more sophisticated, more subtle and complicated than they were for the Gnostics of old. The sins are less ingenuous, the evil more profound and more extensive. In sum, the new Gnostics are far more dangerous and destructive than the old.
Not only is evil preached, simulated in theatre or performance art, solemnly celebrated in religious or quasi-religious ceremonies, it is also done in reality. While most of its priests and shamans confine themselves to gestures and make-believe, others do it.
Jillian Becker September 5, 2013
1. The re-interpreted oriental religions are chiefly Buddhism, Zen Buddhism, and Hinduism, and in particular the doctrine of reincarnation. The re-interpretations were brought to the West by Indian gurus (such the Maharishi Mahesh Yogi, popularized by The Beatles). Some Westerners took themselves to the East to garner its wisdoms and returned home with a new name and guru status (such as Richard Alpert, a Bostonian psychologist who journeyed to India and returned as Guru Ram Dass – see Understanding the New Age by Russell Chandler, Word Inc., Dallas, Texas, 1988, p 63).
2. Wagner’s myths – Lohengrin, Siegfried, Parsifal – were superficially Christian and his heroes Christ-like redeemers. But he dilates at length in his massive prose writings on what is wrong with Christianity and Judaism, especially Judaism and even more especially Jews. He was of the opinion that Jews could only be redeemed by annihilating themselves. The Germans, he declared, needed to be “emancipated from the Jews”; “redeemed” from them by a real-life Parsifal. He praised pre-Christian polytheism. He praised the ancient Greeks for being “intuitive” – which means he loved the savage rites of their Dionysus worship, but ignored their fertile use of reason, their invention of logic and science. Reason, he opined, was a Jewish thing. He drew mostly on Nordic legends, which he considered quintessentially German. Among the ideas he passionately promoted were these: German heroes act out of feeling, not reason, being moved by “the god within”; the only god dwells within us and within nature; there is a “world spirit”, the quintessence of Being, which is within both Man (Germans, that is) and nature; “We are God” and “to become God we need only instinctive Knowledge of the Self” – the indwelling divinity; the taking of hashish releases the feeling of being divine. As poet-priest and prophet, he looked to the coming of a German leader – a Führer – who would mount a “destructive revolution to destroy our civilization”, a civilization which he despised as weak, unheroic, built by Jews. He died before his prophesied Führer was born, but Hitler was intensely inspired by Wagner’s operas from the age of twelve, when he saw one for the first time. It was Lohengrin. And there is a portrait of Hitler as Lohengrin, not (disappointingly) mounted ludicrously on a swan as the knight is in the opera, but on a black horse, in white Medieval armor, carrying the Nazi flag, his head in profile, scowling, unmistakable with his little brushy mustache.) The echoes of Wagner’s ideas in New Age are loud and clear. To hear a full discussion of them, go to a YouTube video titled: Wagner’s Musical Religion: Art, Politics, Genocide, in which two authorities on Wagner, Margaret Brearley and Robert Wistrich, lecture on his life and works and quote his words.
3. Astrology and the signs of the zodiac feature large among New Age superstitions. The New Age is also called “The Age of Aquarius”.
4. One exception among the old Gnostics was Epiphanes. He contradicted the usual Gnostic belief that this world is evil. All creation, he taught, belongs to all mankind. In his rituals, sexual intercourse was performed publicly as a sacred rite and called a love-feast. Drugs, especially aphrodisiacs, were routinely used. When he died at the age of 17, the islanders of Cephalonia, where his mother came from, built a temple to him and proclaimed him a god. His memory was also honored there with a museum which housed the many books he had found time to write in his short life. We have been protected from them by the Christian Church; but the Church Father, Clement of Alexandria, who was allowed to read them before they were destroyed, has left us brief summaries of their contents. Clement’s account shows Epiphanes to have been full of “back to nature” idealism; a lover of animals; an aesthete moved by the beauty of the earth and the starry skies, rather than one who condemned this world as a place of darkness. God lets the light of the sun and the stars, Epiphanes said, fall equally on all human beings. Even the beasts are blessed by the light. Each man and beast takes his enjoyment of it without depleting it for any other. The sun causes the earth to be fruitful and the fruits of the earth are for all. Beasts are exemplars of communitarian life, and being so they are righteous. Together they graze, equal, harmonious, and innocent. And so would we be had not the Law made transgression possible. The Law “nibbled away” the fellowship of nature. Righteousness lies in fellowship and equality, in sharing and caring, which is to say in mutual and general love. Into every male God put vigorous and impetuous desire for the sake of the continuance of the human race. No law can take that away. It is right and good for a man to enjoy sexually every woman he desires. That a law should say ‘Thou shalt not covet’ is laughable. And the very idea of marriage is absurd since all women naturally belong to all men. (For more see Erotic religion, The Atheist Conservative, January 24 2010.)
5. The anti-human campaign among Environmentalists will be the subject of a later essay.
6. In some texts it is “within everything”.
7. “All worship leaders need to be instructed … in body awareness and awakening’.” The Coming of the Cosmic Christ: The Healing of Mother Earth and the Birth of a Global Renaissance by Matthew Fox, Harper & Row, San Francisco, 1988, pp 216f – quoted in Matthew Fox and the Cosmic Christ, an essay by Margaret Brearley in Anvil, Vol. 9, No 1, 1992, p 44. I have relied on Dr Brearley’s meticulous scholarship, and with her permission taken my examples from her papers on New Age – and Matthew Fox in particular – so avoiding the punitive labor of reading more than a very few New Age texts myself. Most of the words and phrases marked as quotations come from this source.
8. “In practice Fox demands: worship in circles, ‘preferably on the soil of Mother Earth’ (Fox p 217); the centrality of Eros; and the breaking of divisions between body and mind using ‘rituals of the native peoples’. These would include sweat lodges in every church and synagogue, Sun dances with drumming, moon rituals, drinking the ‘blood of the cosmos’ and radically replacing the existing liturgical calendar. Fox seriously suggests, for example, that each Sunday could be devoted to celebrating a different organ of the body.” (Brearley, p 46]. “Fox cites the Hindu god Shiva, the creator and destroyer [as saying]: ‘The phallos is identical with me …. The phallos is … the symbol of the god’, and adds: ‘This is Cosmic Christ language …. There alone will men recover active respect and reverence for their own amazing powers’ (p 176). Fox teaches that one must ‘recover the sense of sacred phallos … by way of drumming, dancing and entering into the irrational processes … puberty rites … celebrating one’s chthonic wholeness in the company of male adults’ (p 177). ‘Love beds are altars’ (p 177) and the sense of lust should be recovered as power and therefore as virtue: ‘it takes courage to be lustful.’ (p 178) Mystical sexuality is an ‘important base for cultural renewal and personal spiritual grounding’ (p 179). … ‘[G]ay people need to lead straight people.’” (Brearley p 45)
9. Fox p 145 (Brearley p 44)
10. Although Matthew Fox writes such predictions as this: “Christianity as we know it now will not survive …. The issue is the survival … of Mother Earth” (Fox p 149) [Brearley 54], New Age doctrine has made “inroads into the Protestant and Catholic Church worldwide” and “creation liturgies inspired by creation spirituality are increasingly being used in cathedrals and churches”. (Brearley p 53)
11. Teilhard de Chardin, trs. N. Denny, The Future of Man, Collins, London 1969 p 302 (Brearley p 46).
12. Another leading New Age writer and spirit medium, David Spangler, also visualizes a “planetary spirituality” which “will be holistic, affirming interconnectedness and Gaia; it will be androgynous, mystical, global – with ‘world communion’ -, and will seek synthesis of person and planet. Above all, the New Age is a spirit, a ‘presence made up of the collective spirit of humanity, and the spirit of our world, of Gaia’.” [D. Spangler, Reflections on the Christ, Findhorn Publications, Findhorn 1981, p.84. [Brearley p 52]
Continuing our series on contemporary Gnosticism, here is the second essay under the title The Darkness of This World. The first can be found here.
The Darkness of This World
Our Gnostic Age
The Gnostic in ancient, medieval, and modern times, rejects “this world”.
To the Gnostic of the early centuries C.E., “this world” was the physical earth and everything on it, all created by an inferior god. He knew that somewhere, elsewhere, there was something immeasurably better, purely good, because he had a minute spark within him – gifted to him by a higher source of existence who was Goodness itself – which informed him through his intuition that it was so. This inner spark was his Gnosis (Knowledge). Having it, he was on to the scam that nature and the ignorant mass of mankind tried to put over on him. So he fought against the world, a saintly warrior for the Good. He fought against nature by defying it – refusing to beget children; and against civilization by reversing its values – declaring everything commonly believed good to be evil, and everything commonly believed evil to be good. His reward lay beyond and above this world. 
To the Gnostic of the Middle Ages, “this world” was not only this earth but also the Catholic (Universal) Church. Informed by that same Gnosis which guided the Gnostic of antiquity from within, he fought against Catholic doctrine and practice with the same refusals and reversals. To him everything the Church believed and did was evil; its priests were the servants of Hell. The Church would sniff him out, hunt him down, destroy his body with fire, but he would rise after death to the realm of the Good. 
To the Gnostic of our era, “this world” is the political-economic system of the Western nation-state. As a warrior for a never-yet-realized reign of the Good on this earth, he fights against the established order in theory and practice. He holds the values honored by custom and defended by law to be evil; the values they abhor to be good. He does not want to reform or improve the system; he wants it wholly overthrown. He is a revolutionary. He feels passionately that “this world” needs to be transformed.
Recently commentators have been writing about traditional Western values being inverted.
We live in a backwards world in which the decent are regarded as indecent, defenders of western institutions are considered as terrorists, correct naming is derogated and often prosecuted as slander and “hate speech”, violence is justified if committed by our enemies, unseasonable cold weather is interpreted as an infallible sign of global warming … It is a world in which Iran chairs the UN Conference on Disarmament; and Syria  was recently a member of the United Nations Human Rights Committee. … We have, for the most part, colluded in an agreement that upside-down down is right-side-up, backwards is forwards, and madness is sanity … 
In the essay quoted, David Solway cites a book by Melanie Phillips (whom I much admire for her courageous and percipient defense of many a just cause). It is titled The World Turned Upside Down.  She believes that the topsy-turviness – which she deplores – results from a loss of faith in “God” and detachment from the West’s “Judeo-Christian roots”. I have no doubt that Europe is becoming less religious. But I do not think Christianity (which is what is generally meant by “Judeo-Christian roots”) was good for the West, or its values ideal. Nor are they the values that are being inverted. The values that the Gnostic revolutionary scorns are those of the Enlightenment.
Enlightenment thinking was rational, skeptical, and humane. Gnostic ideology is emotional, dogmatic, and cruel.
Daniel Greenfield – the editor and writer chiefly responsible for the sustained excellence of Front Page Magazine – comments on a Time Magazine article typical of topsy-turvy thinking among media pundits:
News coverage has nothing to do with reality. Instead it is a deliberate inversion of reality in which the murderers are the heroes and the greatest threat comes from their victims. The bad guys are the good guys. The good guys are the bad guys. The slavery of Islam is freedom. The freedom of America and Israel is slavery because it has to be defended against the slavery of Islam. 
Such defiance of civilized values arose as a significant historical factor with the Romantic movement around the middle of the 18th century. The Romantics hated the Industrial Revolution, its “dark satanic mills”, its noise and ugliness. They did not care if it made life better for most people – which it did, however ugly and squalid living conditions were at first for the workers in the industrial cities. The Romantic movement was a backlash against the Enlightenment, against scientific and technological advance, against capitalism, against reality. Romantics dreamt of utopias: beautiful societies consisting of ideal human beings who would live for the happiness of their fellow creatures and share all material goods. And all they had to do to win such a world was, they believed, to destroy the world they lived in. Merciless brutality to living people would be justified by the creation of a heaven on earth inhabited by imaginary angelic beings.
Socialism, Communism, Nazism, Alinskyism, Environmentalism … all revolutionary ideologies spawned by the Romantic rebellion against the Enlightenment.
How do the revolutionaries know that after vast destruction their beautiful new world will be born? They know it. They are the Gnostics of the modern age.
They made revolutions in the twentieth century, whether by constitutional process or by violence. They took the reins of power and set about creating their new worlds, which lasted for years here and decades there; and wherever their utopias were, and in the name of whichever ideology they were governed, they stand out as exceptionally marked by terror, pain, cruelty, despair and death.
But the idealists learnt no lesson from the failure of their terrible experiments. The dreamers did not lose their faith. Instead of fading away, withered by disgust and contempt, the faith spread, and is becoming so prevalent that some observers – I among them – see it now as characterizing the West.
The Gnostics who dream on of destroying our civilization should not be ignored. What have they said and done? What are they saying now? We must pay attention. They mean it.
Jillian Becker July 14, 2013
1.These are the essays on ancient Gnostic sects in the The Atheist Conservative: How a rich shipowner affected Christianity, January 2, 2010 (on Marcion); Erotic religion, January 24, 2010 (on Carpocrates and Epiphanes); The father of all heresy, February 23, 2010 (on Simon Magus and Menander); Mani and Manicheism, May 9, 2010; Valentinus, February 14, 2011; Holy snakes, March 24, 2013 (on the Ophites); The sinning Jesus, the laughing Christ, and the Big Bang of Basilides, April 6, 2013. See also Gnosticism: what is it?, March 3, 2013.
2. These are the essays on Gnosticism in the Middle Ages: Hot in the land of Hum, October 14, 2010 (on the Bugomils); The heretics of Languedoc, May 1, 2011 (on the Cathars). In the Bugomils’ case, their resistance was maintained against both the Catholic Church and the Orthodox Church.
3. Iran is working to become a nuclear-armed power, and has threatened Israel with total destruction.
4. The Syrian dictator Bashar Assad, like his father before him, is notorious for the oppression, torture, and mass killing of tens of thousands of his own people.
5. David Solway, Living in a Backwards World, frontpagemag.com, July 2, 2013.
6. The World Turned Upside Down: The Global Battle Over God, Truth and Power, by Melanie Phillips, Encounter Books, New York, 2010.
7. Daniel Greenfield, Time Mag: Muslim Terror No, Buddhist Terror Yes, in The Point, frontpagemag.com, July 11, 2013.