732 C.E. A Frankish army saves Europe from Islamization, winning the Battle of Tours under the command of Charles Martel (Charles the Hammer).
2017 C.E. France capitulates to Islam and ensures the Islamization of the greater part of Europe?
From Gatestone by Giulio Meotti:
After two years and 238 deaths at the hands of Islamic terrorism, what did France do to defeat radical Islam? Almost nothing.
It is this legacy of indifference that is at stake in the looming French presidential elections.
If Marine Le Pen or François Fillon win, it means that France has rejected this autocratic legacy and wants to try a different, braver way.
Whatever her faults (we suspect she is an anti-Semite like her father, though she has tried to put distance between her opinions and his on this as on other issues), we hope she wins because she would not only try to stop the Islamization of France, she would also try to take France out of the corrupt undemocratic European Union. François Fillon – to his credit an admirer of Margaret Thatcher – is also against Islamization, but not against the EU.
If Emmanuel Macron wins, France as we have known it can be considered pretty much over. Macron is, for example, against taking away French nationality from jihadists. Terrorism, Islam and security are almost absent from Macron’s vocabulary and platform, and he is in favor of lowering France’s state of emergency. By blaming “colonialism” for French troubles in the Arab world, and calling it “a crime against humanity”, he has effectively legitimized Muslim extremist violence against the French Republic. …
France’s fake war began in Paris with a massacre at the satirical magazine, Charlie Hebdo. Twelve cartoonists and policemen were massacred by two brothers who shouted, “We avenged Muhammad, we killed Charlie Hebdo”. After a few days of marches, vigils, candles and collective statements such as “Je Suis Charlie”, half of the French intelligentsia was ready to go and hide underground, protected by the police. These are academics, intellectuals, novelists, journalists. The most famous is Michel Houellebecq, the author of the book Submission.
In which the protagonist, an academic, decides to convert to Islam because he can then have more than one wife.
Then there is Éric Zemmour, the author of the book, Suicide Française (“The French Suicide”); then the team of Charlie Hebdo, along with its director, Riss (Laurent Sourisseau); Mohammed Sifaoui, a French-Algerian journalist who wrote Combattre le terrorisme islamiste (“Combating Islamist Terrorism”); Frédéric Haziza, radio journalist and author at the journal, Canard Enchaîné; and Philippe Val, the former director of Charlie Hebdo. The latest to run was the Franco-Algerian journalist Zineb Rhazaoui; surrounded by six policemen, she left Charlie Hebdo after saying that her newspaper had capitulated to terror and refused to run more cartoons of Muhammad.
“Charb? Where is Charb?” were the words that echoed in the offices of Charlie Hebdo on January 7, 2015, the day he and his colleagues were murdered. “Charb” was Stéphane Charbonnier, the editor of the magazine that had published cartoons of Muhammad. Charb was working on a short book, On Blasphemy, Islamophobia and the true enemies of free expression, posthumously published. Charb’s book attacked self-righteous intellectuals, who for years had been claiming that Charlie Hebdo was responsible for its own troubles, a childlike view, popular throughout Europe. It is based on the notion that if everyone would just keep quiet, these problems would not exist. Presumably, therefore, if no one had pointed out the threats of Nazism or Communism, Nazism and Communism would have quietly vanished of their own accord. Unfortunately, that approach was tried; it did not work. The book also criticized “sectarian activists”, whom he said have been trying “to impose on the judicial authorities the political concept of ‘Islamophobia’.”
As for “the Left“, he wrote: “It is time to end this disgusting paternalism of the intellectual left” — meaning its moral sanctimony. Charb delivered these pages to his publisher on January 5. Two days later he was murdered.
Now, some of these people he was calling out are trying to hide their cowardice by attacking him. In recent weeks, a number of cultural events in France have tried to “deprogram” the public from paying attention this extremely important book. A theatrical adaptation of it, attended by one of the journalists of Charlie Hebdo, Marika Bret, was scheduled to take place at the University of Lille. However, the president of the University, Xavier Vandendriessche, said he feared “excesses” and the “atmosphere”, so he eliminated Charb from the program. Twice. The play’s director, Gérald Dumont, sent a letter to the Minister of Culture, Audrey Azoulay, mentioning “censorship”.
At the same time, Charb’s book also disappeared from two events at a cultural festival in Avignon. “How to reduce the dead to silence”, tweeted Raphaël Glucksmann. “Killed in 2015, banned in 2017”, Bernard-Henri Lévy summed up.
During the past two years, the publishing industry itself has played a central role in censoring and supporting censorship, by censoring itself. The philosopher Michel Onfray refused to release his book, Thinking Islam, in French and it first came out in Italian. The German writer, Hamed Abdel Samad saw his book Der islamische Faschismus: Eine Analyse (“Islamic Fascism: An Analysis”), a bestseller in Germany, censored in French by the publishing house Piranha.
The French courts, meanwhile, revived le délit d’opinion – a penal offense for expressing political opinions, now an “intellectual crime”. It was explained by Véronique Grousset in Le Figaro:
“Insidiously, the law blurred the distinction between the discussion of ideas and the personal attack. Many organizations are struggling to bring their opponents to justice”.
It means that the legal system is hauling writers and journalists to court for expressing specific ideas, in particular criticism of Islam.
In just two years in France, Muslim organizations have dragged to trial great writers such as Georges Bensoussan, Pascal Bruckner, and Renaud Camus. It is the Islamists’ dream coming true: seeing “Islamophobes” on trial to punish their freedom of expression.
Charlie Hebdo’s physical massacre was therefore followed by an intellectual one: today, Charb’s important book cannot find a room in France for a public reading; it should, instead, be protected as a legacy of courage and truth.
Even in French theaters, free speech is being crushed. Films about Islam have been cancelled: “The Apostle” by Carron Director, on Muslim converts to Christianity; “Timbuktu” on the Islamist takeover of Mali, and Nicolas Boukhrief’s “Made in France”, about a jihadist cell. A poster for “Made in France” – a Kalashnikov over the Eiffel Tower – was already in the Paris metro when ISIS went into action on the night of November 13, 2016. Immediately, the film’s release was suspended, with the promise that the film would be back in theaters. “Made in France” is now only available “on-demand”. Another film, “Les Salafistes”, was screened with a notice banning minors. The Interior Ministry called for a total ban.
After the massacre at Charlie Hebdo, the country seemed for a short time to return to normalcy. Meanwhile, thousands of Jews were packing up to leave France. At the request of local Jewish community leaders, the Jewish skullcap disappeared from the streets of Marseille, and in Toulouse, after an Islamic terrorist murdered a Jewish teacher and three children in 2012, 300 Jewish families pack up and left. …
France’s never-begun war on terror … collapsed around the three most important measures: removing French citizenship from jihadists, “de-radicalizing” them and closing their salafist mosques. …
The Territorial Information Center (SCRT) recommended that there are 124 salafist mosques in France that should close.
Only Marine Le Pen has demanded that.
Three days after the November 13 Paris massacres, President Hollande announced a constitutional reform that would strip French citizenship from Islamic terrorists. Faced with the impossibility of finding a shared text by both Houses, as well as with the resignation of his Justice Minister Christiane Taubira, Hollande was forced to cancel the move. It means that hundreds of French citizens who went to Syria for jihad can now return to their country of origin and murder more innocent people there.
The Bataclan Theater – the scene of a massacre in which 90 people were murdered and many others wounded on November 13, 2015 – recently reopened with a concert by the performer Sting. His last song was “Inshallah” (Arabic for “If Allah Wills”). That is the state of France’s last two years: starting with “Allahu Akbar” (“Allah is the greatest”), chanted by the jihadists who slaughtered 80 people, and ending with a phony invocation to Allah by a British singer. “Inshallah,” said Sting from the stage, “that wonderful word”. “Rebirth at the Bataclan,” the newspaper Libération wrote as its headline.
The director of the Bataclan told Jesse Hughes, the head of American band Eagles of Death Metal: “There are things you cannot forgive.” True. Except that France has forgiven everything. The drawing on the cover of Charlie Hebdo after the massacre – a weeping Muhammad saying, “All is forgiven” – was the start of France’s psychological surrender.
The first round of the 2017 French presidential election will be held on April 23, 2017. If no candidate wins a majority, a run-off election between the top two candidates will be held on May 7, 2017.
Victory for Marine le Pen would also be a victory for Donald Trump’s populist revolutionary movement agains the globalist ruling establishments of the West which have invited the hordes of Islam into their countries.
The US secretary of state, John Kerry, blames the victims for the stabbing attacks on Israelis by Palestinians.
No surprise there.
Here’s another opinion:
It is painful to hear the phrase “lone wolves” applied to the handful – and perhaps tomorrow the dozens and then the hundreds – of killers of Jews “liked” by thousands of “friends”, followed by tens of thousands of “Tweets,” and connected to a constellation of sites (such as the Al-Aqsa Media Center and its page dedicated to “the third Jerusalem intifada”) that are orchestrating, at least in part, this bloody ballet.
So writes the French philosopher Bernard-Henri Lévy (translated by Steven B. Kennedy).
It is equally painful to listen to the refrain about “Palestinian youth no longer subject to any control” after seeing the series of sermons opportunistically placed online by the Middle East Media Research Institute, in which preachers from Gaza, facing the camera, dagger in hand, call upon followers to take to the streets to maim as many Jews as they can, to inflict as much pain as possible, and to spill the maximum amount of blood; doubly painful to hear that refrain having heard Palestinian Authority President Mahmoud Abbas himself, at the outset of this tragic chain of events a few weeks back, describing as “heroic” the murder of the Henkins in the presence of their children and then expressing indignation at seeing the “dirty feet” of Jews “defiling” the “Esplanade of the Mosques”, and, in the same statement, declaring “pure” “each drop of blood” shed by “each martyr” who dies for Jerusalem.
Not only painful and intolerable, but also inapplicable, is the canned phrase about “political and social desperation” that is mouthed to explain – or excuse – criminal acts, when everything we know about the new terrorists, their motives and the pride their relatives take in converting, post-mortem, crime into martyrdom and infamy into sacrifice, is, alas, much closer to the portrait of the robotic jihadist who yesterday would take off for Kashmir and today turns up in Syria or Iraq.
It is highly doubtful that “intifada” is the right term to apply to acts that bear more resemblance to the latest installment of a worldwide jihad of which Israel is just one of the stages.
Doubtful that erudite disquisitions on occupation, colonization and Netanyahu-esque intransigence still explain much about a wave of violence that counts among its favored targets Jews with sidelocks – that is, those Jews who are the most conspicuously Jewish, those whom their killers must consider, I imagine, as the very image of the Jew and who, by the way, are often at odds with the Jewish state when not in open secession from it.
Doubtful that the very question of the state, the question of the two states, and thus the question of a negotiated partition of the land – which is, for moderates on both sides, the only question worth posing – has anything at all to do with a conflagration in which politics has given way to fanaticism and to theories of vast conspiracy, one in which some decide to stab random others as they pass by because of a vague rumor reporting a secret [and utterly false -ed] plot to deny Muslims access to Islam’s third-most-holy site.
We do not agree that there should be yet another Arab state. 80% of “Palestine”, as the territory was called under the British mandate, was given by the British, in defiance of their own Balfour Declaration, to one of their Hashemite allies, to establish the Emirate of Transjordan (later the Kingdom of Jordan). So there is already an Arab state of Palestine. All Palestinian Arabs ought to be able to become citizens of it without question. The rest of the territory, from the Jordan to the Med, should be one state, the State of Israel. It is on King Andullah of Jordan that the pressure of the geat powers should be brought to solve the “Palestinian problem”.
But we do agree that the “bloody ballet” is jihad, not an expression of Palestinian “frustration”, as John Kerry has claimed.
Doubtful, in other words, that the Palestinian cause is being helped in any way by the extremist turn. On the other hand, it is absolutely certain that the cause has everything to lose by it, that the reasonable heads within the movement will be the ones who wind up flattened by the wave, and that the last proponents of compromise, along with what remains of the peace camp in Israel, will pay dearly for the reckless condemnations of the imams of Rafah and Khan Younis.
Intolerable and inapplicable, too, is the cliché of the “cycle” or “spiral” of violence, which, by putting the kamikaze killers and their victims on the same footing, sows confusion and amounts to an incitement to further action.
Intolerable, for the same reason, are the rhetorical appeals “for restraint” and disingenuous pleas “not to inflame the street”, which, as with the “spiral of violence”, reverse the order of causality by implying that a soldier, police officer, or civilian acting in self-defense has committed a wrong equal to that of someone who chooses to die after spreading as much terror as he possibly can.
Strange indeed, the tepid condemnations of the stabbings of innocent passers-by, the rammings of bus stops, condemnations that I have to think would be less half-hearted if the acts had occurred on the streets of Washington, Paris, or London.
More than strange – disturbing – is the difference in tone between the equivocal reaction to the recent killings and the unanimous and unambiguous international outpouring of emotion and solidarity elicited by the fatal hatchet attack on a soldier on a London street on May 22, 2013, a scenario that was not very different from those unfolding today in Jerusalem and Tel Aviv.
Intolerable, again, that most of the major media have paid the grieving Israeli families only a fraction of the attention they have paid the families of the perpetrators.
Intolerable, finally, the minor mythology growing up around this story of daggers: The weapon of the poor? Really? The weapon one uses because it is within reach and one has no other? When I see those blades I think of the one used to execute Daniel Pearl; I think of the beheadings of Hervé Gourdel, James Foley and David Haines; I think that the Islamic State’s videos have clearly gained a following and that we stand on the threshold of a form of barbarity that must be unconditionally denounced if we do not want to see its methods exported everywhere.
And I mean everywhere.