The State Department has spent millions of taxpayers’ dollars acquiring Art. That is to say, paying for objects that its resident or consultant aesthetes swear are works of Art, worth every penny.

The acquisitions were apparently a priority for Hillary Clinton when she was Secretary of State. If you would see her monument, tour US embassies and look about you.

Fashionable Art doesn’t come cheap. So there was no money left to pay for such a humdrum thing as effective protection of the US diplomatic and CIA missions in Benghazi. Denied the security they needed, four Americans, including the ambassador, were killed there by savage jihadis. Well – Hillary might say – there has to be human sacrifice on the altar of Art, it makes all the difference, and if you don’t understand that, you are a philistine bourgeois.

Look on the bright side. The Art is displayed in many a US embassy. Americans can be proud.

In London, there’s a granite wall built by Sean Scully that cost $1million. We couldn’t find a picture of it, but it’s like this one displayed in an art gallery.

Daniel Greenfield illustrates an article on the subject – which inspired this post – with these pictures of works by Cy Twombly. The  top one is at the embassy in Rome.  

From his text:   

Beijing [embassy] contains $23 million worth of art. Bern has $1.2 million and Luxembourg has $2.2 million.

And here is the grave of Ambassador Stevens, murdered at Benghazi. We don’t know how much it cost, or who paid for it.

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Post Script: Here is some wall art that really has meaning. The wall is part of the US mission in Benghazi. The paint is blood. A hand put it there the night of the attack. It might have been the hand of Ambassador Stevens himself – or of one of his brutal killers. One does not have to read Arabic to know who signed in for the event on the other wall.

(Hat-tip: our reader and commenter donl)