We are highly gratified by this splendid review of our editor-in-chief Jillian Becker’s book L: A Novel History, posted today at Front Page, written by Daniel Greenfield, and quoted here in full.

Jillian Becker comments: “There are few writers in the world whose appreciation of a political book is as worth having as Daniel Greenfield’s. Those who regularly read Front Page and his daily essay at his own website, will know this to be true.”

Imagine the UK Without Thatcher

With the recent death of Margaret Thatcher, one novel takes a look at a UK without Thatcher. L: A Novel History by Jillian Becker, the author of, Hitler’s Children: The Story of the Baader-Meinhof Terrorist Gang, is a modern 1984 taking place in an England fallen to the left. A country where the atrocities and horrors perpetrated in the east found their way to the west.

1984 showed us tyranny from the perspective of an ordinary man coping with the tyranny of an omnipresent Big Brother, while L takes us into the mind of Big Brother.

Becker’s L is a child of the modern left, attracted to the violent spectacle of revolution, feeding on blood and pain, gorging on the emotional spillage of the disgruntled, perpetrating riots, terrorist attacks and finally the mass starvation of the United Kingdom.

1984 takes place in the fragments of a lost history, but L develops its history out of the recent past. L doesn’t emerge out of a vacuum. He is the child of privilege, the student of leftist academics and the tyrant who rises out of the class warfare struggles of the burgeoning welfare state.

L abandons his name, going by a single letter, dabbling in dehumanizing Marxist theory while developing a cult of followers, the L-ites, who become the core of a movement that takes over the United Kingdom. L: A Novel History is as much about L, piecing together his inner thoughts from diary entries and newspaper articles, as it is about the milieu of the period and the more moderate figures on the left who hand over power to him and allow him to perpetrate his acts of terror.

As Becker notes in her introduction, there are historical precedents for L, for his associates and the fascist opposition that eventually allies with him. What she has done is transpose the history of various Communist atrocities from Russia and Eastern Europe into an England on the wavering end of the Cold War.

As a fictional history, L: A Novel History assembles painstakingly an entire alternate history in a metafictional narrative composed of newspaper articles, diary entries and historical speculation that combines the perspectives of L, his followers, the L-ites, his opponents, both genuine and disingenuous, and the people of England who react with bewilderment and then horror as the stores are emptied, the food vanishes and they are put through a brutal and degrading process meant to break their spirit.

L’s great obsession is the cultivation of empathy. Like most sociopaths, he is incapable of genuinely empathizing with others, but has a narcissistic obsession with the experience of emotion as spectacle.

Embodying the privileged empathy of the left, L promises to raise up the people, but instead degrades them, robbing them of their dignity, their humanity and finally their lives, in order to force them to identify with the sufferings of the less well off.

L is Big Brother given form, substance and motive. His resentments and narcissism represent all too well the modern left. Obsessed with image, L is driven to be a cult figure and succeeds in achieving true cult status at the expense of millions for his grand experiment in enforced empathy.

The UK has a long literary tradition of dystopias which imagine a descent into fascism, even as in real life it has continued a descent into Socialism. Jillian Becker’s L: A Novel History challenges that fictional narrative with a meta-fictional narrative that warns of what might have been and what may yet be.

May yet be in America …