We continue the series of short essays by Jillian Becker posted on our Pages section under the general title of The Darkness of This World.
Here, in full, is the tenth essay, starting Part Two of the series.
It focuses on Russia in the late nineteenth and early twentieth centuries; the nihilistic mood that prevailed there among discontented intellectuals; the decadence of the monarchy and the Orthodox Church; and it outlines the astonishing story of the mesmerizing, disgusting, scandalous mystic and lecher Rasputin, a peasant who rose to wield imperial power – the enormous autocratic power that history had reposed in the weak hands of the last Tsar, Nicholas II.
Romanticism – which grew in opposition to Reason from the very beginning of the Enlightenment, their common parent – is a kind of religion.
In certain essential ways it most closely resembles the Gnostic creeds of early and medieval Christianity. Both Romantics and Gnostics depend on feeling and intuition for their “truth”, which stands in both cases in opposition to their culture’s norms. To rebel against conventional morality, they choose evil. Both rationalize their perversity as the means to a higher good. For the Gnostics good lies in the heavens after life on earth is over; for the Romantics it lies in this life on this earth, just over the horizon, beyond the next revolution. Whether up there, or over there, both promise paradise.
In actuality, Romanticism led the way not to an earthly paradise but to earthly hells.
If Romanticism could be said to have a deity, it was “the Devil”. The Romantic imagination clung to him long after “God” had faded away. Germany “sold its soul” to him. Entranced by a Wagnerian fantasy of brutality, violence, war, conquest, “blood and beauty”, Nazi Germany chose evil, rode the storm triumphantly for a time, fulfilled its romantic dream in atrocity, and ended in flames and irreparable moral degradation.
Karl Marx prayed in romantic poetry to be empowered by the Devil, and metaphorically speaking his prayer was granted when Marxists took power after his death and tormented and destroyed millions of hapless victims. The Russian Bolsheviks were the first tyrants to govern in the name of the creed that bears his name. But they were not the first (or last) tyrants to govern Russia, nor the first Russians to choose evil.
The Enlightenment did not penetrate far into Russia. Even by the late nineteenth century, the Russian people were still deeply religious and the church was still immensely powerful. But a weariness with the old order, a romantic pessimism was spreading through the vast anachronism that was Tsarist Russia.
Dostoyevsky’s novel The Possessed (or The Devils or Demons), was published in 1872, eleven years before Karl Marx’s died. It has a cast of intellectual nihilist terrorists who typify the Romantic rebel in late nineteenth century Russia. They are against everything. Patronized, courted, and encouraged for the thrill of their scandalous philosophy of existential despair and malicious criminality by a stupid Governor’s wife – another type of civilization’s decline – they transgress all moral and conventional boundaries and eventually murder for the sake of murdering, and literally set the town on fire. One of them commits suicide and allows the others to blame him for their crimes, leaving an untrue note that he is the culprit. Why? Because nothing matters. Nothing. The man they look to as their leader, Nicolai Stavrogin, is the son of a wealthy landowner, an eccentric widow. She enjoys a protracted and chaste love affair of the mind with a once-daring but now perfectly tame intellectual rebel who has long since outlived his small fame. Young Stavrogin – handsome, rich, and privileged – is the rebel du jour, reckless and unpredictable. At his mildest, we learn when we meet him, he has publicly indulged his evil impulses by making defiant gestures against polite custom, saying and doing irrational things – such as biting a distinguished gentleman’s ear – deliberately to outrage society. In secret he has done far worse. He has committed a terrible crime that we learn about eventually: he raped a child, and the girl killed herself. Then, secretly again, he married a poor despised ill-used madwoman. Why? In penance? Out of compassion? Is he a saint as well as a sinner? Or is it a bizarre joke? Dostoyevsky perfectly describes what Stavrogin is doing: he is “living sarcastically”.
Dostoyevsky believed Russia was sick with nihilism and despair, and could be saved only by a return to Orthodox Christianity. But the sun was going down on “Holy Russia”. The Orthodox Church was no longer capable – if ever it had been – of distinguishing between its saints and its sinners.
In Orthodox eyes, which of the two – saint or sinner – was Grigori Rasputin, the man who more than any other single individual hastened Tsarist Russia into extinction?
Rasputin was a peasant monk who the royal family of Russia needed to believe was a mystic healer. They put all their hopes in him to cure the Tsarevich of hemophilia, the bleeding disease that threatened the life of the young heir to the throne, the only son of the Tsar. The peasant monk might also have been (it was both alleged and denied) a member of the Khlysty, a Gnostic sect that had arisen in the 17th century and lasted into the 20th century, to be ended along with everything else by the Communist revolution. The Khlysty believed in direct (“intuitive”) knowledge of the divine and redemption through sin.
Whether or not as a member of the Khlysty, Rasputin convinced numerous highborn ladies that they could be redeemed through sin. Their lust being sanctioned by so exciting a promise, they stripped naked for him, begged for his sexual attentions, and – according to some colorful accounts – would even lick his greasy fingers clean after he had been eating with his hands at the table of the Tsar. What is well attested is that the occult was in vogue in high society, and some of its luminaries seriously expected – because they deeply longed for – miracles. Rasputin was their master; to them he was the Devil himself, laughing among them.
His own motive in performing his part may only have been the simple one of enjoying himself. By many accounts he fed gluttonously, drank copiously, and copulated promiscuously.
The Tsarina could not live without him. She did as he told her. And as she depended too much on her “holy healer”, the Tsar depended too much on her. By her insistence, the Tsar took into his own hands the direction of his country’s forces in the Great War, and he did not do it well. Persons in high places became concerned that Russia was being governed and misgoverned by the “mad monk” – and it was not too much of an exaggeration. He apparently had power even over the Holy Synod, though he had never been ordained a priest. It seemed that a lascivious peasant was working his will over church and state. The Tsar refused to send him away. Nothing could dislodge him.
Plots were hatched to kill him. And finally four would-be assassins – the Grand Duke Dmitri Romanov and Prince Felix Yusupov, along with a member of the Duma and an army officer – set about murdering him in the basement of the Yusupov palace on December 17, 1916; first with poison – but he stayed alive; then with a gun, shooting him many times – but still he did not die; then stabbing him and beating him on the head with a truncheon. Finally they dropped him, probably dead but by some accounts still alive, over a bridge and down through the ice of the River Niva. So ended his real-life performance as a “holy sinner”, or magus.
It had been a magnificent mockery – of religion, power, aristocracy, and morals – born of a brilliant, if instinctive, perception that the stupidity of the great laid them open to exploitation by bold native cunning. Had the Romanovs, in particular the Tsarina, and her noble ladies avid for sin, not been mystics themselves, not believed in miracles, they would not have fallen under Rasputin’s spell. The Orthodox Church itself – or part of it – romanticized mystic charlatans of his kind. Both the institutions of monarchy and church had become rotten stumps ready to be kicked over.
And kicked over they soon were. The downfall of Tsarist Russia began on April 16, 1917, just four months after Rasputin’s death, when Lenin returned from exile and began the process that brought the Russians under Marxian Communism.
Jillian Becker September 20, 2014
We are all irrational in our likes and dislikes. We are put off by a face, a feature, a mannerism, something said, something done, a name, an accent. Some tell themselves not to act unjustly towards a person they instinctively dislike. Some do not curb themselves and do act unjustly. That is morally abhorrent, but there’s nothing that can be done to prevent it happening. People are unjust. People insult other people. So it always has been and always will be.
To express indignation over what someone says (as so many public figures are now doing over what a repulsive old geezer named Donald Sterling said in private against blacks to his black girl friend) is fine, whether you really feel indignant or only want to show what a good person you are. Freedom allows you public display of emotion. Freedom allows you hypocrisy.
Freedom allows the girl-friend to accept a house, a fleet of expensive cars, and her living from this man, and then to tape a private conversation he has with her and make it public. Freedom allows her to be spiteful, ungrateful, and viciously treacherous, just as it allows him to hate and despise people for no better reason than that they are of another race.
It should not be the business of the law to monitor and censure personal opinion.
Voltaire declared, “I hate what you say, but I’ll defend to the death your right to say it.” And he meant it: meant that he would die to uphold the principle of liberty.
It was an idea typical of the age of reason; of the Enlightenment. To contradict it is to fall back into the dark age of dogma.
It is precisely when someone says something you don’t agree with – something you consider stupid, abominable, ugly, offensive, wrong – that you must uphold his right to say it. Argue with him, call him a cretin and a villain; despise him, hate him, defame him if you will (though the law might stop you spreading lies about him). But do not call for him to be gagged.
When Britain was a free country (ah, yes, I remember it well!), you could insult anyone as much as you pleased short of slander (such as accusing him of a crime). It was called “common abuse”, and there was no law against it. Nor should there have been. Now, in Britain, it’s okay for you to insult white males as much as you like. And Jews. If you insult them loudly and often enough you may get a grant to do it professionally. But if you insult Muslims you will be arrested and charged with a “hate crime”. (See our post, Bye-bye freedom, immediately below.)
Allowing people to say what you don’t like and don’t agree with is the whole point of constitutionally guaranteeing free speech.
The idea of “hate crime” is at the root of this nonsense. Nobody can know what another person feels. If a person commits a crime, punish him for the crime, not for the supposed emotion behind it. Such an arrogantly puritanical concept as “hate crime” was bound to distort the law and threaten liberty. As it does.
Crime is bad because it hurts individuals. Racism is bad because it hurts individuals. Racism, though it may be the cause of a crime, is not criminal in itself, and should not be criminalized.
People must be free to be petty, to be prejudiced, to be malicious, to be insulting. They cannot be stopped by the law. To make a law against bad behavior won’t change it, and can only make a mockery of the rule of law itself.
It is foolish and politically authoritarian to try and criminalize natural behavior, however unpleasant it may be.
Another word for politically authoritarian is fascist. Yes – if a human being or a bureaucrat tries to make people conform to his idea of good behavior, he is a fascist.
Tolerance must extend to the hard-to-tolerate. (But not to the intolerant.)
It’s better to be free to hate than to be free of hatred.
Jillian Becker April 30, 2014
Today we have posted essay number 9, Faust (Two), in the series titled The Darkness of This World. (Find it under Pages in our margin.)
Here is part of it. We hope you won’t neglect the footnotes (not added here). They are laden with information – colored by the authors’ personal judgments and prejudices.
To understand what happened in Europe in the twentieth century, the wars, the barbaric cruelty, the murder of tens of millions in cold blood; to diagnose the sickness that beset every country on the mainland of the continent, Germany most severely; to know why European man is dying a long slow death on his own heath, it is helpful to read the great German writer Thomas Mann.
In his novel Doctor Faustus, first published in 1947, the Faust figure is a German musician named Adrian Leverkühn. On leaving school in the early 20th century, young Adrian enrolls at the University of Halle as a theology student, but soon abandons his studies to devote himself to composing music.
Fearing that he is not gifted enough to fulfill his ambition, he conceives a terrible plan. He deliberately catches syphilis by insisting on having intercourse with a prostitute who has the disease, in the hope and faith that he will catch it and so become insane – because he believes madness is necessary to genius. This is his conscious bargain with evil, the selling of his soul to the Devil, in exchange for power to compose great music. When in due course the disease does reach his brain, he imagines he has a conversation with the Devil by which the contract is confirmed. The Devil will grant him twenty-four years from the day of their dialogue, years of “great time, mad time”, to create the astonishing works he can produce now that his faculty of reason has become deranged. He will know “the heights and the depths” of life, and so be filled with knowledge of the truth – the “truth” of subjective experience.
Thought and reason, the Devil explains, are impediments to the creation of great Art. Leverkühn’s art will be intuitive, “Dionysian”; springing from the instincts, from feeling, from the heart, not from the rational mind. The Devil assures him that all genius is demonic. “There is no ingenium that has nothing to do with hell,” he says. What makes Art great is “enthusiasm unparalysed by thought or reason”. Art is “made genuine by disease”, and “creative, genius-giving disease [is] a thousand times dearer to life than plodding healthiness”. Art, instinctive art – so the Devil instructs the mind he is corrupting – is anti-bourgeois, anti-civilization. It is a religion – a demonic religion. (What used to be religion, the Prince of Darkness says, “is over except for the Devil. The bourgeoisie dispenses with it.” And elsewhere the fictional narrator of the story – a Catholic – observes: ‘Theology, confronted with that spirit of the philosophy of life which is irrationalism, is in danger, by its very nature, of becoming demonology.”)
So art is a disease of the artist, and of civilization. As both it is highly valuable, this dark force many times declares or insinuates, speaking either as himself when he chats with the brain-sick Leverkühn, or through the mouths of certain persons among the composer’s teachers, friends and acquaintances. These persons, more devilish than Adrian Leverkühn himself ever becomes, are weak men, erudite sensitive aesthetes, sickly or deformed, one of them “slightly” consumptive. They consciously “elevate culture as a substitute for religion”. Most of them are admirers of Leverkühn’s works – and also of National Socialism, with which they soon become passionately enamored. What they call “the blood and beauty” of brutal mass murder excites them intensely. A poet among them praises “obedience, violence, blood, and world-plunder”. To listen to them is to understand how Hitler’s Reich was made possible and why it quite easily became a reality. …
Today we have posted essay number 8, Faust (One), in the series titled The Darkness of This World. (Find it under Pages in our margin.)
Here are some extracts from it:
Post-Enlightenment Romanticism was an escape from the reality of “this world”, and a belief that there could be a better world realized in Art, or in a future brought about by political action. …
The Romantic Movement was seeded in France with the revolutionary idealism of Rousseau, and flowered first in England as resistance to the iron reality of the Industrial Revolution, but found its natural home in Germany. There God died, but the Devil lived on.
The death of God was announced by the German philosopher Nietzsche in 1882, but when had it occurred? God was still alive, tussling with the Devil for the souls of men when the first part of Goethe’s play Faust was published in 1808, so the event must have come about, quietly, sometime in the intervening seventy-four years.
The legend of Faust and his pact with the Devil had arisen in Germany soon after the Reformation began there [in 1517], and about two hundred years before the Enlightenment seriously weakened the power of the Churches. …
The legendary Faust is a man who chooses to sell his soul to the Devil in exchange for power, honor, wealth, fame; delight of the senses and satisfaction of the appetites, especially lust; and knowledge (of both the scientific and the intuitive sorts), for the duration of his life on earth, usually twenty-four years from the day of the compact. As his splendid life goes on, he wonders at moments if he could repent and be saved. He is exhorted by well-wishers to turn to God for mercy. But he chooses to renew his fatal pact. When he dies he goes to hell …
There was a real historical Dr Faust, “magician, necromancer, sodomist, astrologer and palm reader”, living in Germany in the early sixteenth century, and it was on his character, skills and escapades that the legend was based.
His birth name was Georgius Sabellicus. In 1505 he was helped by a certain Franz von Sickengen – who interested himself in mysticism and the magic arts – to obtain the post of schoolmaster in the Rhineland-Palatinate town of Kreuznach. Exposed as having forced boys of his classroom to perform “acts of lewdness”, Sabellicus disappeared from the school and the town. Two years later, as “Johannes Faust”, he was granted the degree of Bachelor of Arts in Theology by the University of Heidelberg. He came top of his class of fifteen, so either he was a brainy fellow, or he had already sold his soul to the Devil.
The graduate called himself “the Second Magus”, signaling that he was the successor to Simon Magus, the 1st century Gnostic teacher of St Paul’s day, written about scornfully in the New Testament and condemned by the Catholic Church as “the father of all heresies”. (See our post, The father of all heresies, February 21, 2010.)
He stayed in Heidelberg for some years and acquired a dubious reputation as a man of extraordinary powers.
While most commentary on him both in his lifetime and for a few years after his death (which was probably in or about 1540) portrayed him as no more than a braggart, a fraud, and a petty thief, some took him more seriously. An agreement made between himself and the Devil soon became an essential ingredient of his legend. It was related in tones of thrilled horror that he had referred to Satan as his “Schwäger”, his brother-in-law. A demon spirit who takes the form of Helen of Troy occurs in almost all the versions of the story. (She had been Simon Magus’s consort. Though he had found her in a brothel in Tyre, he taught that she had been incarnated in one of her lives as Helen, “the most beautiful woman in the world”, and had descended again from the highest heaven to help him with his mission of redeeming mankind.)
The idea that supernatural powers could be bestowed on a man by the Devil, but had to be paid for with the man’s soul, probably arose from the anathematizing accounts by the Catholic church fathers of the Gnostic cults. Because the Gnostics did not worship the Creator God of the bible but another god whom they “knew” by the gift of intuitive knowledge (the Gnosis); because many of them declared the Creator God to be evil; and because the worship of their god took the form of drugged orgies, perverted sex (anal and oral in order to avoid conception), and the deliberate flouting of biblical commandments, they were considered by Catholics to be devil-worshippers, and their rites Satanic. Their doctrines and practices were deplored in the pulpits of Christendom, embellished with fearful details and scary myths, not only to condemn them and warn the awestruck laity against them, but because the clergy was genuinely full of superstitious terror of the Devil. For centuries Gnostic ritual was considered by Christian theologians to be devil-worship. The Catholic Church succeeded in wiping out Gnosticism in the Middle Ages, using the instrument of the Inquisition. (See our post The heretics of Languedoc, May 1, 2011.)
When the centuries of Church power were brought to an end by the Enlightenment, and Christianity itself took a beating, Faust and the Devil not only survived but flourished.
The Industrial Revolution made it possible as never before for individuals not born to riches and power to acquire them. To those who understood economics it was not an inexplicable phenomenon. But to those who wanted as little to do with the racket and dirt of industry as possible, who were nostalgic for the past, and who continued to believe in the supernatural though the priests had been shouted down by Reason, it was uncanny, magical; and ever-present envy had no trouble diagnosing the cause as demonic. So with the Devil living on in the psyche of Christian Europe long after God had died, Dr. Faust had a new lease of life. …
The Darkness of This World
Our Gnostic Age
On May 5, 1818, there was born, in the Prussian city of Trier, one of those rare persons who change the course of history. He did not live to see his prophecies warp the world. He died in 1883, and the first earth-shattering event of which he was an effective cause came thirty-four years after his death: the Russian Communist revolution of 1917.
Karl Marx was the second child and eldest son of a prosperous lawyer. Two years before his birth, his father, Herschel Marx, had taken a step that must have amazed, even outraged, a good many of his Jewish co-religionists in his (overwhelmingly Catholic) home city, which for generations had had its rabbis from the Marx family: he was baptized by the Lutheran church, becoming Heinrich Marx. Protestant Christianity itself did not attract him irresistibly, but he wanted to play a full part as a citizen of (largely Protestant) Prussia. He was a man of reason who admired the products of reason: machines, engines, modernity in general. In 1824, overcoming his wife’s opposition to the move, he had his seven children (an eighth was yet to come) baptized into the recently established Evangelical Church of Prussia, Lutheran and Calvinist.
In his late teens, Karl fell in love with an aristocrat, Jenny von Westphalen, the friend of his older sister, and at about the same time decided to become a great poet. He wrote love poems to Jenny, and hate poems to the world.
The poems are bombastic, full of religio-romantic imagery. Little meaning can be found in them. But they do reveal the character and mentality of their composer. They are emotional, defiant, rebellious, destructive, swaggering, and express above all a hunger for power. Typical is this monologue from a verse drama titled Oulanem, the eponymous hero speaking: “Ha, I must entwine me on the wheel of flame,/ And in Eternity’s ring I’ll dance my frenzy! If aught besides that frenzy could devour,/ I’d leap therein though I must smash a world/ That towered high between myself and it!/ It would be shattered by my long drawn curse,/ and I would fling my arms around cruel Being,/ Embracing me, ‘twould silent pass away,/ Then silent would I sink into the void./ Wholly to sink, not be … oh, this were Life,/ But swept along high on Eternity’s current /To roar out threnodies for the Creator,/ Scorn on the brow! Can Sun burn it away?/ Bound in compulsion’s sway, curse in defiance!/ Let the envenomed eye flash forth destruction –/ Does it hurl off the ponderous worlds that bind?/ …… And we, we Apes of a cold God, still cherish/…… The viper so voluptuously warm,/ That it as Universal Form rears up/ And from its place on high grins down on us! And in our ear, till loathing’s all consumed,/ The weary wave roars onward, ever onward! ”
The young poet cast off the Christian God he had been lightly brought up to believe in, but he clung on to the concept of Satan and the powers of evil. He wrote, in a lyric titled The Fiddler: “Why do I fiddle? Or the wild waves roar?/ That they might pound the rocky shore, / That eye be blinded, that bosom swell, / That Soul’s cry carry down to Hell./ … I plunge, plunge without fail/ My blood-black sabre into your soul. / That art God neither wants nor wists,/ It leaps to the brain from Hell’s black mists/ … Till heart’s bewitched, till senses reel:/ With Satan I have struck my deal./ He chalks the signs, beats time for me,/ I play the death march fast and free.” “
With lines such as these young Karl expected to be recognized as a towering genius who would be listened to by a dumbstruck Europe. He intended through the power of his words to have an effect on history – a dire and destructive effect, apparently, while waves rolled onwards and pounded rocky shores. But his poems were received less favorably than he had confidently anticipated. The editors of periodicals to whom Karl sent a selection for publication returned them without comment. Indeed it seems that only Jenny von Westphalen was moved by them, especially by those dedicated to her. “Jenny! Do I dare avow/That in love we have exchanged our souls,/That as one they throb and glow,/And through their waves one current rolls?”
His father would have liked Karl to take up some useful and lucrative career, in engineering perhaps, or science; something that would have involved him in the amazing developments of the age. Reason was pouring out inventions for the improvement of everyday life: gaslight on the streets, steam powered trains and ships, factories with machines that mass-produced goods. But such mundane things were of no interest to the young man of passionate poetic vision. He would never even visit a factory. Heinrich Marx and his son Karl stood on opposite sides of the post-Enlightenment divide between Reason, which fertilized civilization, and Romanticism, which poisoned it. …
The whole of this essay may be found on our Pages, added to the earlier essays under the same title. Access it by clicking on The Darkness of This World under the Pages heading at the top of our margin, and scroll down to 7, The Fiddler and His Proof.
The Darkness of This World
Our Gnostic Age
The Enlightenment dethroned faith and crowned reason. And reason launched two of the most important advances of our civilization: Science, and the United States of America.
Science was enormously advanced by the philosophers of Reason. Locke, Hume, Spinoza, and Voltaire not only challenged religious certainties and so weakened the suppressive power of the Churches, but with their radical rationalism they positively impelled free enquiry into the laws of nature.
But at the same time, from the very heart of the Enlightenment, came the rot that would corrupt the new culture. Reason, which had struggled against the ignorant arrogance of the Catholic Church, was now, from the moment its golden age began, assailed by a new adversary, a new form of irrationalism that imitated the religious tyrannies it had overcome: Romanticism.
The rot is easy for us to spot because we know what it led to. It was in the writings of Jean Jacques Rousseau. Voltaire saw it at the time, immediately. With typically wry and stinging humor he wrote to Rousseau: “I have received your new book against the human race, and thank you for it. Never was such cleverness used in the design of making us all stupid. One longs, in reading your book, to walk on all fours.”
Rousseau was holding up the pre-civilized, or “natural” man as superior to the civilized. He did not actually use the phrase “noble savage” but it sums up his idea. …
The whole of this essay may be found on our Pages, added to the earlier essays under the same title. Access it by clicking on The Darkness of This World under the Pages heading at the top of our margin, and scroll down to Our Gnostic Age 6.
The Darkness of This World
Our Gnostic Age
Sensitive souls recoiled from the products of reason; from the iron mills of new industries with their grating noise, the vulgar crowds swarming into the cities and decking themselves out in the cheap finery they helped to mass-produce. Sensitive souls hated the cheerful optimism of the growing urban middle class, the healthy economy, and fat Britannia setting her imperial boundaries wider and wider across the world. Their reaction was to look inward; to seek emotional solace, become preoccupied with feeling; and often to find a perverted form of satisfaction in melancholy and illness. Such was the despondent though also rapturous mood, the sad sick spirit of nostalgia and unfocussed longing that spread over Europe like a miasma and came to be called the Romantic Movement. ……
The whole of this essay may be found on our Pages, added to the earlier essays under the same title. Access it by clicking on The Darkness of This World under the Pages heading at the top of our margin, and scroll down to Our Gnostic Age 5.
Continuing our series on contemporary Gnosticism, here is the fourth essay under the title The Darkness of This World. (For the first three put Our Gnostic Age in the search slot.)
The Darkness of This World
Our Gnostic Age
In its defiance of religious and cultural norms, most New Age doctrine and practice (briefly described in the last essay) is comparatively mild. Far more savage messages have come from thousands of pop songs and rap “flows” since the 1960s. Cruelty and religious images are a large if not predominant part of their stock-in-trade. Themes of rape, murder, massacre, torture, Satan, devils, demons, sado-masochism, ultimate doom, universal destruction by nuclear bombs or climate apocalypse, terrorism, suicide, death, are common, hugely popular – and therefore enormously lucrative. Here are words from a rock song called Demons. It was sung by a group named Rigor Mortis – typically connoting something dreaded, in this case death: “We come bursting through your bodies, rape your helpless soul …we force you to kill your brother, eat his blood and brain, shredding flesh and sucking bone till everyone’s insane, we are pestilent and contaminate, the world Demonic legions prevail.”
Such songs could be, and sometimes are, interpreted as instructions to do evil. But then, almost any song could be – and was. Charles Manson, mass murderer and cult-leader of a mass-murdering group, declared himself profoundly stirred by a Beatles song called Helter-Skelter, into whose quite innocuous words about sliding down a fairground slide, he read a coded message about the coming of a final conflict between the black and white races. 
But songs, however gruesome, and even if sometimes inspiring real cruelty and murder, are not the source of the moral rot in twenty-first century Western culture. Nor are the video games that require the killing off of humanoids in such profusion that they’re often blown away as copiously as brown leaves in a gale. Such popular indulgence in Halloween-like fantasy are analogous not to the old Gnostic cults themselves, but to imitations of their rites as pictured and misunderstood by less educated outsiders. The deliberate “sinning” of the Gnostics, with orgies and drugs, was performed for several reasons or excuses: to “use up sin” – ie. commit as much sin as possible in order to hasten the end of the world, on the assumption that there was a fixed amount of sin pre-ordained by the evil Creator, and when all of it had been committed his creation would be done for; or on the grounds that it wasn’t sin at all, only named so by the evil creator, and by defying him they were acting for the good; or on the grounds that true Gnostics – the “Spirituals”, or “Masters”, or “Perfects” – were incapable of sinning and so were free to do anything they liked. Those who were fascinated by the cults but excluded from them – being despised by the Gnostics as “hylics”, “animal men”, creatures irredeemably belonging to the earth – caught rumor of the rites and misunderstood them to be ways of worshiping the Devil.  The performance of “Satanic” rituals such as the Black Mass may very well have begun in imitation of Gnostic rites as imagined by “hylics” who hoped they would summon up the Devil to grant them occult powers. The Devil was supposed to be able and willing to sell such powers to any buyer willing to pay the price of his or her “immortal soul”. Sometimes the drug-intoxicated, orgiastic rites included human sacrifice. To the Christian churches such beliefs and rituals were not only heresy, they were blasphemy; and through the Middle Ages, when such blaspheming heretics were sniffed out by the moralists of almost any Christian denomination, they were punished with torture and fire; burnt at the stake as witches and “black” magicians. It’s certain, however, that they did far less harm, hurt and killed far fewer victims, than did the churches themselves.
No. The power to effect evil on a vast scale lies not with the many but with the few; not with the uneducated but with the educated; not with adolescent entertainers but with intellectual elites. Evil as, or for, a “higher good” becomes a force that deforms civilization only when it issues from the top of the tower. They affect the way teachers teach, students learn, and governments govern. They are professors, philosophers, priests, psychologists, writers, critics, film-makers, rogue scientists, politicians. They are the revolutionaries with a long reach. They could be called the legislative branch of the new orthodoxy. They write the laws of “political correctness”.
The executive branch whose members are responsible for disseminating the toxic ideas, are the powers that appoint the teachers at the universities; publish books and newspapers; choose the plays and the works of art that are to be presented to the public. They are the givers of grants and awards, the producers of films, the social-engineering bureaucrats.
A counter-culture with a mood of sustained rebellion has become dominant in the early twenty-first century in the West not as an imp daring to do mischievous things to provoke an old-fogey establishment, but as a loud, bullying, relentless thug. It rules in the academies and the press; it permits and cheers on the jolly viciousness of popular culture. And it has come to political power throughout the Western world. It is no longer an amusing adversarial movement confined to a demi-monde of the young, the envious and the frustrated; it is now the culture itself. It camps on the public square, wallowing in its own detritus. It stinks. It threatens. It crows triumphantly on its own dung-heap. It gloats over its crimes. It riots in the streets of the cities, smashing the windows of stores, setting fire to banks regardless of whether there are people in them. It burns cars. It shrilly demands much in exchange for nothing. And it legislates, and it taxes, and it makes war on small nations for no better reason than sentiment.
It prevails. And it seems to have come upon the prosperous, brilliant, powerful West quite recently. It has called itself the Red Army of this or that; or Anarchists against Capitalism; or a movement for Hope and Change; or the Occupy Wall Street Movement… It entered the Parliaments of Europe late in the last century, and now it is in the White House of America. But actually it grew slowly through the last three centuries.
It began in Europe, it spread from Europe, and in Europe it became malignant. It began as a reaction to the Enlightenment, that marvelous long morning when the sun of Reason rose to its zenith in the eighteenth century, and the Age of Science gathered pace. Technology, the daughter of Science, gave birth – first in England – to contraptions, contrivances, devices and engines that spun wheels and let off steam and smoke, appalling those blessed or cursed with sensitive souls. Religion blanched. The power of the Churches drained away. Christianity itself declined, but with its fading came a nostalgia for its mystery, for its visions of dim glories, and even for its guilt and its terror.
Jillian Becker October 31, 2013
1. In August 1969, Charles Manson sent Susan Atkins with two other women and Charles “Tex” Watson to a house in Beverly Hills to kill the actress Sharon Tate and anyone else they found there. Atkins states in her autobiography Child of Satan, Child of God, that as they approached the house, “I was deeply aware of Evil. I was Evil.” She and her companions brutally murdered Sharon Tate and four other people with knives and a gun. “Tex” Watson said to one of the victims (according to Atkins), “I’m the devil, and I’m here to do the devil’s business.” Atkins wrote: “I was to learn later that this was the home of the beautiful Miss Tate and [her husband Roman] Polanski, who was out of the country at the time. … Polanksi had produced the controversial Rosemary’s Baby, a film about a woman who bore a child by Satan.” Shortly before meeting Manson, she records, she had refused to participate in a ritual of Satan-worship conducted by Anton LaVey – occultist and musician, founder of the Church of Satan, author of The Satanic Bible, father of a son named Satan LaVey – because she believed in God. When she joined the Manson “family”, she thought that Manson “might be God himself; if not, he was close to him.” Her life with the Manson “family” was full off drugs and orgies which made her feel that she was “one with everyone”. “What Charlie taught us,” she said, “was love”. She bore a child which she insisted was not Manson’s, and named him Ze Zo Ze Cee Zadfrack “for no other reason than that at the torn and twisted time it seemed like a good name”. (So it must be a coincidence, though an intriguing one, that the magic formula for gaining direct access to the highest heaven of the Gnostics, according toThe Book of Ieû is: aaa ooo zezophazazzzaieozaza eee iii zaieozoakoe ooo uuu thoezaozaez eee zzeeezaozakozakeude tuxuaalethukh. – Gnosticism: An Anthology by Robert M. Grant, Collins, London, 1961.)
2. A misinterpretation of Gnostic ritual as devil-worship probably accounts for some of the testimony given at the trial in France, in 1310, of the Knights Templar, a military branch of the Cistercian order specially founded “to protect pilgrims visiting the Holy Land”. King Philip IV, known as Philip the Beautiful, feared their power and coveted their wealth. They were the international bankers of the age, as well as a considerable military force and an efficiently organized intelligence network. They owned vast estates in France. Their reputation as heroes of the Crusades, as warriors and carers of the sick and wounded, made them glorious in the eyes of the common people. Philip was determined to bring them down, to confiscate their lands and treasure, to extirpate them from his own realms and destroy the order wherever his power or influence could reach. The means he chose was to accuse them of heresy. On the night of October 12, 1307, every Templar in France, along with his servants and dependants, was arrested and imprisoned by order of the King. Two and half years later the trial began. Witnesses told of secret meetings behind locked doors, through whose keyholes they had seen and heard abominable rites. Almost all said that the Knights had denied Christ, spat upon the Cross, and declared that it was right only to believe in “the Highest God”. Some reported that they had seen them pay reverence to idols and the devil. Some Knights, being broken by torture and unable to face the terrible punishment that awaited heretics, themselves “confessed” to performing such rituals. Though their legal defense was cleverly devised and persuasively presented, the verdict was a foregone conclusion. The last officers of the order were burnt at the stake on March 19, 1314. Some historians maintain that all the accusations were false and the order was free of any taint of heresy, and no direct evidence has ever been found to prove the case one way or the other. But the more credible testimony of the witnesses strongly suggests that what they glimpsed and heard through keyholes was a Gnostic rite as had been practiced by the Cathars in the Languedoc region of southern France, of whom the last few were then being hunted down and burnt to death by the Inquisition. But beside the possibly true witness accounts, tales were told of devil-worship, including the ritual kissing of the Devil’s behind, which were probably the stock-in-trade of common gossip in those heresy-obsessed ages of Catholic tyranny.
3. One example of sentiment at work in international affairs to brutal result arose out of the United Nation resolution known as “R2P” – The Responsibility to Protect. It requires the strong and wealthy nations of the West to be guardians of vulnerable populations in any foreign state. It was invoked as a reason for French, British and American intervention in Libya in 2011, to overthrow the dictator Muammar Gaddafi. Since then, to the time of this writing, there has been no effective government in Libya. Rival Muslim terrorist groups control their fiefdoms, ruling arbitrarily and ferociously by a mixture of sharia law and vicious whim. The population is a lot worse off than it was under Gaddafi. An earlier example was the interference in the 1990s by the West – chiefly America – in the Balkans. The socialist governments of Western Europe and the Democratic government of the United States believed it was right according to leftist principles to make war only where the interests of their own countries were in no way served by it. The American and NATO soldiers who died saving Kosovar and Bosnian Muslims from alleged Catholic or Orthodox Christian oppression (so positively assisting Muslim terrorist groups in Kosovo), gave their lives not for their country, or freedom, but for the need of their leaders to feel good about themselves. The idea that it is the height of morality to sacrifice oneself (or one’s country’s soldiers) for others, particularly if the others are perceived as underdogs, derives directly and exclusively from Christianity.
Today we post a new article among those we permanently display in our margin list of Pages.
It is an essay dealing with the subject of envy – not of those who are rich, successful, privileged, or powerful, but of the opposite: those who have been, or are, deprived, oppressed, humiliated, tormented and persecuted.
It is titled The Envy of Suffering, and is written by Jillian Becker.
Here are two quotations from it.
The first is an example of victim envy:
In the early 1970s an American student told me that after being enrolled as a student in a Californian university in 1968, she had suddenly left and gone to Calcutta “in order to share the suffering” of the multitudes who had to live on the streets. I asked her how she had thought this would help them. She replied that the whole point was not to help them but to save herself from being “one of the privileged of the earth”. She “stuck it out”, she said, for three weeks, after which the American embassy had arranged for her to fly home.
The second is an observation on whole movements that have come into existence to remedy unreal victimization:
It can reasonably be supposed that there are few if any who actually want to be victimized. (Genuine victims are outside the scope of this essay and beside the point.) They want the role of victim, identifying themselves with a group that they claim is oppressed, or has been oppressed in the past. In America there are manifestly large numbers of women and blacks, for instance, who make this claim and choose this role.
The essay can be found here.
The Darkness of This World
Our Gnostic Age
New Age religion is – according to taste and judgment – a rich diversity of “spiritualities”, or a junk-heap of irrationalities.
It arose in the West as an unplanned rejection movement against reason, science, capitalism, Western political institutions and cultural norms, often to the point of antinomianism. It started as a counter-culture, but many of its beliefs and practices have come to be accepted as normal. Most obviously it impacts the lives of almost everyone in developed countries through Environmentalism, one of the most successful of its superstitions.
New Age includes mythical, mystical, and simply fantastical cult ingredients. Its theorists draw on the occult and witchcraft; on religions of the Far East ; on the modern mystic faith of psycho-analysis (in particular the theories of C. G. Jung); on Richard Wagner’s mythology and mysticism ; on UFO legends; on “alternative” Western religious cults and systems – Scientology, Mormonism, Hare Krishna, Shamanism, pop-Kabala, Environmentalism. Among its assorted mysticisms and occultisms are: astrology ; fortune telling by tarot cards, I Ching, Ouija boards; spirit guides; processes of faith healing or imaginary empowerment through the use of crystals and pyramids; chanting, dancing, meditation, Yoga exercises. It was partly inspired by the hundred-plus years old, Orient-derived, Theosophy of Madame Blavatsky, and its offshoots, including the Anthroposophy of Rudolf Steiner with their theories of education, art, agriculture, and health.
As a religion rather than a life-style movement – which it has primarily become – New Age is loosely likened to the Gnostic sects of the 2nd century and the Middle Ages because it is mystical, esoteric, and challenging to the “revealed” religions. There are also specific similarities.
First, like the Gnostics of old, New Age acolytes revile the “God of the bible” (whatever they conceive him to be – Jehovah, “God the Father”, or the Trinity), and they “know” the “true God” by innate knowledge.
Second, as in the Gnostic cults, there is a hierarchy of classes in New Age doctrine. The divisions are according to “spiritual” ability. The highest class is that of the adepts, the Masters, who have attained “cosmic consciousness”. They know they possess the innate knowledge (gnosis) of the real God. Below them are Disciples, whose minds are open to New Age teaching but have yet to master it. At the bottom are the rest, “animal men”, unenlightened by the faith.
Third, those who have the gift – the Masters – can release, or bring to consciousness, or make effective, or bring into being (all of those effects are stated or implied at different times), the “divinity” they “know” is within them by achieving a state of ecstasy. And like the Gnostics of old, they do this by taking drugs and indulging in sexual libertinism. Each New Age participant’s “divine blood” asserts itself as the right guide to human thought and action. In a New Age orgy, “group-consciousness” reveals itself and exerts its will.
Fourth, in New Age as in old Gnosticism, believers rebel against ethical norms by reversing conventional values: what is generally accepted as good is held to be bad, and vice versa.
But in one important respect there is a difference between old Gnosticism and New Age. To almost all the old Gnostics, this earth and everything on it (except their inner spark of Knowledge) was evil, the creation of an evil God, so they were defying evil by doing what the ignorant masses called sinning; defiling their bodies to express scorn for the dirt they were made of . But New Age holds the earth sacred, and sensual experience is a sacrament in itself, often the supreme sacrament.
The old Gnostics, to defy the Creator God, would destroy his earth to save man – or at least themselves. The new Gnostics claim to be God, at least potentially, and would destroy man – or at least a lot of other people – to save the earth .
Being a hotch-potch of beliefs – belief in almost anything that reason rejects – New Age religion inevitably contains contradictions. For instance, while some of its authoritative theorists hold that the divine dwells within the human species (even in the “animal men”, the general theory implies) , the earth is an external and separate goddess, “Mother Earth”, identical to her whom the ancient Greeks called Gaia. She has suffered “ecological wounds” through human industrial activity (thus the specie-sin of “anthropogenic global warming”), and she needs to be “healed”.
These different attitudes to nature between the ancient and the new cults entail different attitudes to sex. To the ancient Gnostics, everything material, including the human body, was evil, so they indulged in sacramental orgies of conventionally forbidden sex in order to defy the Creator God of this world and his commandments. But New Age orgies – similarly considered to be sacraments – are performed as acts of Earth worship. They celebrate the physical, not scorn it.  Sensual pleasure is a good in itself. The performance of communal rituals – chanting, dancing, sado-masochistic sex, all-gender-inclusive sex (with male homosexuality particularly stressed by Matthew Fox ) – advances the coming into being of a new synthesized God: “I” become God; “we” become God; Man, God, and Nature become One, and the one is the universal God, the “Cosmic Christ”.
New Age writing is full of vapid declarations expressed with stirring passion rather than semantic sense. It is verbal impressionism. Matthew Fox, for instance – one of the most widely read New Age writers, blends “the Cosmic Christ” with “Mother Earth”. The Cosmic Christ is an eternal Being who became incarnate in Jesus – so far in tune with at least some long-established Christianities – but is also (if not exactly “incarnate” by the actual meaning of the word, “made flesh”), one with Mother Earth. She is crucified like Jesus; and as such she is a symbol of the incarnated Cosmic Christ, or of the Cosmic Christ as Jesus crucified; or Jesus crucified is a symbol of Mother Earth crucified:
The appropriate symbol of the Cosmic Christ who became incarnate in Jesus is that of Jesus as Mother Earth crucified yet rising daily … like Jesus, she rises from her tomb every day [so not quite like Jesus] … wounded, yet rising, Mother Earth blesses us each day. 
New Age has had an effect on conventional religious institutions. Some of the established churches, Catholic and Protestant, have picked out bits from New Age to add flavor to their own offerings  – which may indicate how weary, stale, flat and washed out they must feel their own faiths to be. As for social and political effects, New Age cults contribute cumulatively to the character of the times, but most of them have had little or no effect on major events.
There are two exceptions. One is Liberation Theology (an emulsion of two opiates of the people, Marxism and Catholicism), which has had an historical effect in South America as an ideological cause of the rise of terrorist organizations.
Marxism comes into our purview. New Age harmonizes with Marxism easily, both being collectivist ideologies. In almost all its manifestations, New Age requires group practice. Its ultimate vision is of a single shared human consciousness (rather like the imaginary alien species called the Borg in Star Trek, whose every individual is one with the “hive mind”). The Catholic writer Teilhard de Chardin had a strong influence on New Age theory. In his book The Future of Man, he foresees “the end of a ‘thinking species’; not disintegration and death, but a new breakthrough and a rebirth, this time outside Time and Space. Man would at some future time ‘form a single consciousness’.”  ). New Age goes further yet: humanity will share its communal consciousness with the Earth. 
Marxism and magic (and pacifism and feminism), came together in the Campaign for Nuclear Disarmament (CND), starting in Britain in 1958 and continuing through the next three decades. Most of the CND protestors did not know that their leaders received funding from the USSR; they were simply the “useful idiots” of Lenin’s famous phrase. In the early 1980s a Women’s Peace Camp was set up on Greenham Common in Berkshire to protest against NATO cruise missiles being deployed at the RAF base situated there. The women would hold up mirrors to “reflect the evil” of the weapons back over the fence.
The other exception is Environmentalism, which has entranced half the population of the First World and pesters the whole human race.
Other than these, New Age cults, though numerous, are for the most part comparatively harmless and few will be mentioned in these essays. Most New Age leaders and followers don’t think of themselves as doing evil, only redefining what good is. Homosexuality was bad until the 1960s; so to New Age devotees it was super-good. Alternative medical practices were bad; so to New Age devotees they were super-good. One of the most egregious examples of New Age success, of how it has penetrated even some institutions that by their nature should be impregnable to cults of unreason, is that practitioners of “alternative medicine” are working alongside physicians and surgeons in Western hospitals. They may do harm, but they probably do not intend to.
What these essays are concerned with is the deliberate choosing of evil. They are not about common crime, nor the immoral things everybody does from time to time. They are about evil intended as such, and the intended evil is the willful harming of human beings. The doing of it is advocated by a self-elected elite – intellectuals who claim to have a vision beyond the understanding of the rest of us – with verbal violence to scandalize the conventional. They often rationalize it with sophisticated philosophical excuses, arguing for instance that it is necessary for the attainment of a “higher good” for the whole human race, including the uncomprehending masses. The “higher good” is different now, the excuses more sophisticated, more subtle and complicated than they were for the Gnostics of old. The sins are less ingenuous, the evil more profound and more extensive. In sum, the new Gnostics are far more dangerous and destructive than the old.
Not only is evil preached, simulated in theatre or performance art, solemnly celebrated in religious or quasi-religious ceremonies, it is also done in reality. While most of its priests and shamans confine themselves to gestures and make-believe, others do it.
Jillian Becker September 5, 2013
1. The re-interpreted oriental religions are chiefly Buddhism, Zen Buddhism, and Hinduism, and in particular the doctrine of reincarnation. The re-interpretations were brought to the West by Indian gurus (such the Maharishi Mahesh Yogi, popularized by The Beatles). Some Westerners took themselves to the East to garner its wisdoms and returned home with a new name and guru status (such as Richard Alpert, a Bostonian psychologist who journeyed to India and returned as Guru Ram Dass – see Understanding the New Age by Russell Chandler, Word Inc., Dallas, Texas, 1988, p 63).
2. Wagner’s myths – Lohengrin, Siegfried, Parsifal – were superficially Christian and his heroes Christ-like redeemers. But he dilates at length in his massive prose writings on what is wrong with Christianity and Judaism, especially Judaism and even more especially Jews. He was of the opinion that Jews could only be redeemed by annihilating themselves. The Germans, he declared, needed to be “emancipated from the Jews”; “redeemed” from them by a real-life Parsifal. He praised pre-Christian polytheism. He praised the ancient Greeks for being “intuitive” – which means he loved the savage rites of their Dionysus worship, but ignored their fertile use of reason, their invention of logic and science. Reason, he opined, was a Jewish thing. He drew mostly on Nordic legends, which he considered quintessentially German. Among the ideas he passionately promoted were these: German heroes act out of feeling, not reason, being moved by “the god within”; the only god dwells within us and within nature; there is a “world spirit”, the quintessence of Being, which is within both Man (Germans, that is) and nature; “We are God” and “to become God we need only instinctive Knowledge of the Self” – the indwelling divinity; the taking of hashish releases the feeling of being divine. As poet-priest and prophet, he looked to the coming of a German leader – a Führer – who would mount a “destructive revolution to destroy our civilization”, a civilization which he despised as weak, unheroic, built by Jews. He died before his prophesied Führer was born, but Hitler was intensely inspired by Wagner’s operas from the age of twelve, when he saw one for the first time. It was Lohengrin. And there is a portrait of Hitler as Lohengrin, not (disappointingly) mounted ludicrously on a swan as the knight is in the opera, but on a black horse, in white Medieval armor, carrying the Nazi flag, his head in profile, scowling, unmistakable with his little brushy mustache.) The echoes of Wagner’s ideas in New Age are loud and clear. To hear a full discussion of them, go to a YouTube video titled: Wagner’s Musical Religion: Art, Politics, Genocide, in which two authorities on Wagner, Margaret Brearley and Robert Wistrich, lecture on his life and works and quote his words.
3. Astrology and the signs of the zodiac feature large among New Age superstitions. The New Age is also called “The Age of Aquarius”.
4. One exception among the old Gnostics was Epiphanes. He contradicted the usual Gnostic belief that this world is evil. All creation, he taught, belongs to all mankind. In his rituals, sexual intercourse was performed publicly as a sacred rite and called a love-feast. Drugs, especially aphrodisiacs, were routinely used. When he died at the age of 17, the islanders of Cephalonia, where his mother came from, built a temple to him and proclaimed him a god. His memory was also honored there with a museum which housed the many books he had found time to write in his short life. We have been protected from them by the Christian Church; but the Church Father, Clement of Alexandria, who was allowed to read them before they were destroyed, has left us brief summaries of their contents. Clement’s account shows Epiphanes to have been full of “back to nature” idealism; a lover of animals; an aesthete moved by the beauty of the earth and the starry skies, rather than one who condemned this world as a place of darkness. God lets the light of the sun and the stars, Epiphanes said, fall equally on all human beings. Even the beasts are blessed by the light. Each man and beast takes his enjoyment of it without depleting it for any other. The sun causes the earth to be fruitful and the fruits of the earth are for all. Beasts are exemplars of communitarian life, and being so they are righteous. Together they graze, equal, harmonious, and innocent. And so would we be had not the Law made transgression possible. The Law “nibbled away” the fellowship of nature. Righteousness lies in fellowship and equality, in sharing and caring, which is to say in mutual and general love. Into every male God put vigorous and impetuous desire for the sake of the continuance of the human race. No law can take that away. It is right and good for a man to enjoy sexually every woman he desires. That a law should say ‘Thou shalt not covet’ is laughable. And the very idea of marriage is absurd since all women naturally belong to all men. (For more see Erotic religion, The Atheist Conservative, January 24 2010.)
5. The anti-human campaign among Environmentalists will be the subject of a later essay.
6. In some texts it is “within everything”.
7. “All worship leaders need to be instructed … in body awareness and awakening’.” The Coming of the Cosmic Christ: The Healing of Mother Earth and the Birth of a Global Renaissance by Matthew Fox, Harper & Row, San Francisco, 1988, pp 216f – quoted in Matthew Fox and the Cosmic Christ, an essay by Margaret Brearley in Anvil, Vol. 9, No 1, 1992, p 44. I have relied on Dr Brearley’s meticulous scholarship, and with her permission taken my examples from her papers on New Age – and Matthew Fox in particular – so avoiding the punitive labor of reading more than a very few New Age texts myself. Most of the words and phrases marked as quotations come from this source.
8. “In practice Fox demands: worship in circles, ‘preferably on the soil of Mother Earth’ (Fox p 217); the centrality of Eros; and the breaking of divisions between body and mind using ‘rituals of the native peoples’. These would include sweat lodges in every church and synagogue, Sun dances with drumming, moon rituals, drinking the ‘blood of the cosmos’ and radically replacing the existing liturgical calendar. Fox seriously suggests, for example, that each Sunday could be devoted to celebrating a different organ of the body.” (Brearley, p 46]. “Fox cites the Hindu god Shiva, the creator and destroyer [as saying]: ‘The phallos is identical with me …. The phallos is … the symbol of the god’, and adds: ‘This is Cosmic Christ language …. There alone will men recover active respect and reverence for their own amazing powers’ (p 176). Fox teaches that one must ‘recover the sense of sacred phallos … by way of drumming, dancing and entering into the irrational processes … puberty rites … celebrating one’s chthonic wholeness in the company of male adults’ (p 177). ‘Love beds are altars’ (p 177) and the sense of lust should be recovered as power and therefore as virtue: ‘it takes courage to be lustful.’ (p 178) Mystical sexuality is an ‘important base for cultural renewal and personal spiritual grounding’ (p 179). … ‘[G]ay people need to lead straight people.’” (Brearley p 45)
9. Fox p 145 (Brearley p 44)
10. Although Matthew Fox writes such predictions as this: “Christianity as we know it now will not survive …. The issue is the survival … of Mother Earth” (Fox p 149) [Brearley 54], New Age doctrine has made “inroads into the Protestant and Catholic Church worldwide” and “creation liturgies inspired by creation spirituality are increasingly being used in cathedrals and churches”. (Brearley p 53)
11. Teilhard de Chardin, trs. N. Denny, The Future of Man, Collins, London 1969 p 302 (Brearley p 46).
12. Another leading New Age writer and spirit medium, David Spangler, also visualizes a “planetary spirituality” which “will be holistic, affirming interconnectedness and Gaia; it will be androgynous, mystical, global – with ‘world communion’ -, and will seek synthesis of person and planet. Above all, the New Age is a spirit, a ‘presence made up of the collective spirit of humanity, and the spirit of our world, of Gaia’.” [D. Spangler, Reflections on the Christ, Findhorn Publications, Findhorn 1981, p.84. [Brearley p 52]