The media spread lies world-wide 4

… and in doing so co-author terrorism, war, oppression and mass murder.

Almost all news reporting is false. Almost all of it is propaganda. Most of the press, all over the world, is the tool of terrorists, Communists, Islamic religious fanatics, and their useful idiots.

Matti Friedman, a rare truth-telling reporter of Middle Eastern affairs, writes (in part) at The Atlantic (which is woke, so well done Matti Friedman for getting it in there!):

To make sense of most international journalism from Israel, it is important first to understand that the news tells us far less about Israel than about the people writing the news. Journalistic decisions are made by people who exist in a particular social milieu, one which, like most social groups, involves a certain uniformity of attitude, behavior, and even dress (the fashion these days, for those interested, is less vests with unnecessary pockets than shirts with unnecessary buttons). These people know each other, meet regularly, exchange information, and closely watch one another’s work. This helps explain why a reader looking at articles written by the half-dozen biggest news providers in the region on a particular day will find that though the pieces are composed and edited by completely different people and organizations, they tend to tell the same story.

Foreign activists are a notable feature of the landscape, and international NGOs and numerous arms of the United Nations are among the most powerful players, wielding billions of dollars and employing many thousands of foreign and local employees. Their SUVs dominate sections of East Jerusalem and their expense accounts keep Ramallah afloat. They provide reporters with social circles, romantic partners, and alternative employment—a fact that is more important to reporters now than it has ever been, given the disintegration of many newspapers and the shoestring nature of their Internet successors.

In my time in the press corps, I learned that our relationship with these groups was not journalistic. My colleagues and I did not, that is, seek to analyze or criticize them. For many foreign journalists, these were not targets but sources and friends—fellow members, in a sense, of an informal alliance. This alliance consists of activists and international staffers from the UN and the NGOs; the Western diplomatic corps, particularly in East Jerusalem; and foreign reporters. There is also a local component, consisting of a small number of Israeli human-rights activists who are themselves largely funded by European governments, and Palestinian staffers from the Palestinian Authority, the NGOs, and the UN. Mingling occurs at places like the lovely Oriental courtyard of the American Colony hotel in East Jerusalem, or at parties held at the British Consulate’s rooftop pool. The dominant characteristic of nearly all of these people is their transience. They arrive from somewhere, spend a while living in a peculiar subculture of expatriates, and then move on.

In these circles, in my experience, a distaste for Israel has come to be something between an acceptable prejudice and a prerequisite for entry. I don’t mean a critical approach to Israeli policies but a belief that the Jews of Israel are a symbol of the world’s ills, particularly those connected to nationalism, militarism, colonialism, and racism—an idea quickly becoming one of the central elements of the “progressive” Western zeitgeist, spreading from the European left to American college campuses and intellectuals, including journalists. In this social group, this sentiment is translated into editorial decisions made by individual reporters and editors covering Israel, and this, in turn, gives such thinking the means of mass self-replication.

Many freshly arrived reporters in Israel, similarly adrift in a new country, undergo a rapid socialization in the circles I mentioned. This provides them not only with sources and friendships but with a ready-made framework for their reporting—the tools to distill and warp complex events into a simple narrative in which there is a bad guy who doesn’t want peace and a good guy who does. This is the “Israel story,” and it has the advantage of being an easy story to report. Everyone here answers their cell phone, a d everyone knows what to say. You can put your kids in good schools and dine at good restaurants. It’s fine if you’re gay. Your chances of being beheaded on YouTube are slim. Nearly all of the information you need—that is, in most cases, information critical of Israel—is not only easily accessible but has already been reported for you by Israeli journalists or compiled by NGOs. You can claim to be speaking truth to power, having selected the only “power” in the area that poses no threat to your safety.

Many foreign journalists have come to see themselves as part of this world of international organizations, and specifically as the media arm of this world. They have decided not just to describe and explain, which is hard enough, and important enough, but to “help.” And that’s where reporters get into trouble, because “helping” is always a murky, subjective, and political enterprise, made more difficult if you are unfamiliar with the relevant languages and history.

Confusion over the role of the press explains one of the strangest aspects of coverage here—namely, that while international organizations are among the most powerful actors in the Israel story, they are almost never reported on. Are they bloated, ineffective, or corrupt? Are they helping, or hurting? We don’t know, because these groups are to be quoted, not covered. Journalists cross from places like the BBC to organizations like Oxfam and back. The current spokesman at the UN agency for Palestinian refugees in Gaza, for example, is a former BBC man. A Palestinian woman who participated in protests against Israel and tweeted furiously about Israel a few years ago served at the same time as a spokesperson for a UN office, and was close friends with a few reporters I know. And so forth.

International organizations in the Palestinian territories have largely assumed a role of advocacy on behalf of the Palestinians and against Israel, and much of the press has allowed this political role to supplant its journalistic function. This dynamic explains the thinking behind editorial choices that are otherwise difficult to grasp, like the decision to ignore a report about an Israeli peace offer to the Palestinians in 2008, or the idea that Hamas’s development of extensive armament works in Gaza in recent years was not worth serious coverage despite objectively being one of the most important storylines demanding reporters’ attention.

When the UN released its controversial Goldstone report on the Gaza fighting, we at the bureau trumpeted its findings in dozens of articles, though there was discussion even at the time of the report’s failure to prove its central charge: that Israel had killed civilians on purpose. The director of Israel’s premier human-rights group, B’Tselem, who was critical of the Israeli operation, told me at the time that this claim was “a reach given the facts”, an evaluation that was eventually seconded by the report’s author. “If I had known then what I know now, the Goldstone Report would have been a different document,” Richard Goldstone wrote in The Washington Post in April 2011. We understood that our job was not to look critically at the UN report, or any such document, but to publicize it.

Decisions like these are hard to fathom if you believe the foreign press corps’ role is to explain a complicated story to people far away. But they make sense if you understand that journalists covering Israel and the Palestinian territories often don’t see their role that way. The radio and print journalist Mark Lavie, who has reported from the region since 1972, was a colleague of mine at the AP, where he was an editor in the Jerusalem bureau and then in Cairo until his retirement last year. (It was Lavie who first learned of the Israeli peace offer of late 2008, and was ordered by his superiors to ignore the story.) An Indiana-born Israeli of moderate politics, he had a long run in journalism that included several wars and the first Palestinian intifada, and found little reason to complain about the functioning of the media.

But things changed in earnest in 2000, with the collapse of peace efforts and the outbreak of the Second Intifada. Israel accepted President Bill Clinton’s peace framework that fall and the Palestinians rejected it. Nevertheless, Lavie recently told me, the bureau’s editorial line was still that the conflict was Israel’s fault, and the Palestinians and the Arab world were blameless. By the end of Lavie’s career, he was editing Israel copy on the AP’s Middle East regional desk in Cairo, trying to restore balance and context to stories he thought had little connection to reality. He wrote a book, Broken Spring, about his front-row view of the Middle East’s descent into chaos, and retired disillusioned and angry.

I have tended to see the specific failings that we both encountered at the AP as symptoms of a general thought pattern in the press, but Lavie takes a more forceful position, viewing the influential American news organization as one of the primary authors of this thought pattern. This is not just because many thousands of media outlets use AP material directly, but also because when journalists arrive in their offices in the morning, the first thing many of them do is check the AP wire (or, these days, scroll through it in their Twitter feed).

Journalistic hallucinations occur when reporters are not granted the freedom to write what they see but are rather expected to maintain a “story” that follows predictable lines. For the international press, the uglier characteristics of Palestinian politics and society are mostly untouchable because they would disrupt the Israel story, which is a story of “Jewish moral failure”.

Most consumers of the Israel story don’t understand how the story is manufactured. But Hamas does. Since assuming power in Gaza in 2007, the Islamic Resistance Movement has come to understand that many reporters are committed to a narrative wherein Israelis are oppressors and Palestinians passive victims with reasonable goals, and are uninterested in contradictory information.

Hamas is aided in its manipulation of the media by the old reportorial belief, a kind of reflex, according to which reporters shouldn’t mention the existence of reporters. In a conflict like ours, this ends up requiring considerable exertions: So many photographers cover protests in Israel and the Palestinian territories, for example, that one of the challenges for anyone taking pictures is keeping colleagues out of the frame. That the other photographers are as important to the story as Palestinian protesters or Israeli soldiers—this does not seem to be considered.

In Gaza, this goes from being a curious detail of press psychology to a major deficiency. Hamas’s strategy is to provoke a response from Israel by attacking from behind the cover of Palestinian civilians, thus drawing Israeli strikes that kill those civilians, and then to have the casualties filmed by one of the world’s largest press contingents, with the understanding that the resulting outrage abroad will blunt Israel’s response. This is a ruthless strategy, and an effective one. It is predicated on the cooperation of journalists. One of the reasons it works is because of the reflex I mentioned. If you report that Hamas has a strategy based on co-opting the media, this raises several difficult questions, like, What exactly is the relationship between the media and Hamas? And has this relationship corrupted the media? It is easier just to leave the other photographers out of the frame and let the picture tell the story: Here are dead people, and Israel killed them.

In previous rounds of Gaza fighting, Hamas learned that international coverage from the territory could be molded to its needs, a lesson it would implement in this summer’s war. Most of the press work in Gaza is done by local fixers, translators, and reporters, people who would understandably not dare cross Hamas, making it only rarely necessary for the group to threaten a Westerner. The organization’s armed forces could be made to disappear. The press could be trusted to play its role in the Hamas script, instead of reporting that there was such a script. Hamas strategy did not exist, according to Hamas—or, as reporters would say, was “not the story”.  There was no Hamas charter blaming Jews for centuries of perfidy, or calling for their murder. [There is.] This was not the story. The rockets falling on Israeli cities were quite harmless; they were not the story either. [It is.]

Hamas understood that journalists would not only accept as fact the Hamas-reported civilian death toll—relayed through the UN or through something called the “Gaza Health Ministry,” an office controlled by Hamas—but would make those numbers the center of coverage. Hamas understood that reporters could be intimidated when necessary and that they would not report the intimidation; Western news organizations tend to see no ethical imperative to inform readers of the restrictions shaping their coverage in repressive states or other dangerous areas. In the war’s aftermath, the NGO- UN-media alliance could be depended upon to unleash the organs of the international community on Israel, and to leave the jihadist group alone.

When Hamas’s leaders surveyed their assets before this summer’s round of fighting, they knew that among those assets was the international press. The AP staff in Gaza City would witness a rocket launch right beside their office, endangering reporters and other civilians nearby—and the AP wouldn’t report it, not even in AP articles about Israeli claims that Hamas was launching rockets from residential areas. (This happened.) Hamas fighters would burst into the AP’s Gaza bureau and threaten the staff—and the AP wouldn’t report it. (This also happened.) Cameramen waiting outside Shifa Hospital in Gaza City would film the arrival of civilian casualties and then, at a signal from an official, turn off their cameras when wounded and dead fighters came in, helping Hamas maintain the illusion that only civilians were dying. (This too happened; the information comes from multiple sources with firsthand knowledge of these incidents.)

Colford, the AP spokesman, confirmed that armed militants entered the AP’s Gaza office in the early days of the war to complain about a photo showing the location of a rocket launch, though he said that Hamas claimed that the men “did not represent the group”.  The AP “does not report many interactions with militias, armies, thugs or governments,” he wrote. “These incidents are part of the challenge of getting out the news—and not themselves news.”

This summer, the Western press corps showed up en masse to cover the conflict. It was deliberately fought from behind Palestinian civilians, many of whom died as a result. Dulled by years of the “Israel story” and inured to its routine omissions, confused about the role they are meant to play, and co-opted by Hamas, reporters described this war as an Israeli onslaught against innocent people. By doing so, this group of intelligent and generally well-meaning professionals ceased to be reliable observers and became instead an amplifier for the propaganda of one of the most intolerant and aggressive forces on earth. And that, as they say, is the story.

Posted under Israel, media, middle east, Palestinians by Jillian Becker on Wednesday, May 19, 2021

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